A slight change of pace to highlight a fine set of NRG from Unknown Kill producer Risa. I really have to be in the right mood to enjoy this brand of NRG, but this was definitely a tracklist to catch the attention.
NRG has to be up there with schranz as one of the easiest genres to mix, so here the focus shifts to selection over elaborate transitions. Risa keeps things solid but basic, allowing the tracks to play out in their entirety – as some of my favourites like No God and Oblivion are in here that was no bad thing.
The end of the set alters the atmosphere slightly with a sequence of Asylum tracks, nicely leading into Take Down as the finale. Risa missed a trick for a more manic finish (as Shogun seems to be in the same key), but who knows, a change in the mixing style at that late stage might have sounded out of place.
A tracklist that has had obvious influences on Risa’s production, this is a fine set and should be required listening for those into the grittier side of the genre.
Here’s one of the main reasons it’s been a bit quiet around here recently – fitting a set around Other Things these days isn’t always easy. No way I was going to turn down a chance to contribute to the FINRG podcast series though, so here’s my first full freeform set since the In Praise of Shadows mix.
Lately I’ve been thinking a lot about how it wasn’t only the dark, melancholy atmospheres of freeform that initially attracted me, but also a strangeness that I hadn’t really heard anywhere else. Play tracks like that in a club setting and you have the other-wordly atmosphere of NRGetic Romancer, of course, and so this set was an attempt to capture some of that with a tracklist of slightly less common tunes. The key was to avoid throwing in unusual tracks for the sake of it, as well as putting the usual effort in to construct a cohesive whole.
To that end I built the set around three main sections, resisting some old, obvious transitions in favour of keeping things headed in the direction I wanted. Hence the use of Twisted Freq early on, and a pretty basic introduction of Godd, for example. I wasn’t desperate to use promos here, but it turned out that GULD’s little-heard City of Solitude remix and Re-form’s Intro both fitted in nicely. Alabaster’s Awakening remix is still under construction, but this is the latest version and not too far from completion (and used with permission, obviously).
The 2023 remix was supposed to mark the big finale, which is probably my favourite part of the set. I’m quite pleased with the shift in atmosphere from there to Blackmailer, then into the Alek-Mellow Sonic combo. Those two beautiful breaks threaten to bring a tear to the eye every time, and I was hoping the contrast with the rest of the set would make them sound even better.
As always there are things I’d like to improve, but having already spent an outrageous amount of time planning this one the deadline was probably a good thing. Hope everyone enjoys it!
There’s more Shimotsukei to talk about soon, but before that a quick mention of this three (!) hour NRG session that ticks plenty of the TYFTH boxes. Although there’s already an endless supply of recordings on Shimotsukei’s SoundCloud, it really does add to the enjoyment of live sets when you can see what’s going on. Plus in this case there’s the very helpful overlay to answer any tracklist questions and a pretty lively chat that’s worth keeping an eye on.
If NRG’s your thing then this really is an essential listen – it’s very likely you’ll hear some forgotten classics as well as some more obscure selections. As things move into freeform territory it’s also a good chance for fellow DJs to check a few Before the Dawn tracks in a (well) mixed environment
I’m all for Ominous Digital’s mission statement, so it’s nice to see some freeform appearing on the label too. Keep in mind that Neoform’s A remix is one of those semi-speedcore freeform tracks, but the hope is a precedent is now set and we’ll be seeing a wider range of artists and tracks on OD.
The track itself is a pretty ferocious rework of Le Dos-on/Hyphen’s original, and a step up in production quality for Neoform. Though we’re still to see an original track from him, I’m hopeful that his Android Lime-esque focus on remixes will lead to the same steady improvement, especially with the support of labels like Ominous. The track was released yesterday on allthesites you’d expect.
I’m slow (of course) to mention the most recent FINRG podcasts, but even if you’ve heard them before they’re well worth a revisit as DJ case studies.
Listening to these sets you can hear right away what freeform means to each DJ, with both featuring some similar tracks as part of two very different atmospheres. JNKS’ 64 minutes goes from happy/UK hardcore to some solid gold FINRG and back again, while Alchemiist plays some surprisingly melodic freeform, connected to neurofunk and hardcore by a few darker oldies.
JNKS’ selection is spot on, with a huge number of later-era happy anthems (including remixes to keep veterans of the early 90s happy), while the potentially hazardous transition into the FINRG section is very nicely handled. You really can’t beat the gritty sound of tracks like Killer Instinct and Illuminate, and of course it’s nice to see the obligatory Alek appearance.
Alchemiist’s steady progression into the non-freeform final third is just as well handled, but the standout section of the set was a more conventional one. I might prefer the original PVC, but the transition from Ghost of Jupiter into Lost Soul’s remix is still top class and a worthy centrepiece to the set. Absolutely lovely stuff.
Both essential listens then, as is the entire podcast series so far.
Yet more release announcements, this time for the huge, freeform-only Lucky Lotus compilation, Before the Dawn. I can’t the only one who’s been hoping for something like from LL for a while now, and this is a high quality cross-faded preview. Also an impressive tracklist, with some veterans anchoring things in amongst the new faces and a lot of Japanese representation. I haven’t heard the full tracks yet, but going on this preview and others I’ve heard Kounta Kulture’s Cannibal Girl might be the most immediately promising. Definitely looking forward to a leisurely listen of the whole release, though.
The other good news is that the compilation will be released in little over a week via the LL bandcamp – the official date is 10th March.
Even though Dark Dimension’s been pretty sporadic for the past few years it has made a strong case to be the best harder, darker event in Tokyo since the end of NRGetic Romancer. The lineups have been hit and miss, but last year’s anniversary event was the strongest so far with Lab 4 appearing as guests.
April’s edition is going one better though – the surprise booking of Proteus makes this his first appearance in Tokyo for what must be about a decade. GULD will likely be adding some more NRG to the event to make it a proper reunion for the Romancer crowd.
I know, you’ve very likely heard all about this already. This post is a public service announcement for those not up to date with freeform on social media, as preorders are open for Substanced’s already legendary solo album. With the scene the way it is these days it’s impossible to guess how quickly the 300-copy run will last, but for such a long-awaited release it might be best to err on the safer side and order soon.
Respect aplenty to A.B and Stamina for taking on the release – preorders are open now on the Stamina site. No sign of a release date or even a tracklist yet, so that’ll also be the place to stay up to date on both.
A very last-minute notice here that a winter edition of Hellfury’s Hardcore Bash online event is starting today. Although there’s less than usual to pick out on the freeform side, I’d like to point Horsers in the direction of Hyphen’s set tonight at 19:00 (GMT), followed directly by Shimotsukei. Watch out too for Hellfury himself playing first thing tomorrow – ideally with a freeform set but either way it’s great to see him back.
Thanks to Raqhow for pointing in the direction of this, as it completely passed me by a few days ago. Although the 145ish bpm will rule Unknown Kill out of many NRG sets, it’s a really solid track that’ll soon be appearing on Genkai Records 6.