Finnish

A couple of recent EP releases here that most will have seen, but both are encouraging signs that the big names haven’t given up on freeform just yet. From The Shadows is a very welcome return for FINRG, though this is obviously more of a UK freeform showcase and style-wise is only nominally in the same ballpark as previous Finnish releases. My favourite is Transcend and Hedonistik Ritual’s Scorched, with its trademark Transcend production and some nice filtering on the leads.

The release is also notable as a step away from SoundCloud free releases, appearing instead on Beatport and Juno Download. I know from TYFTH research and my days helping out with Hybridize that sales from digital download sites have to be pretty healthy to make it a worthwhile exercise, so be sure to show some support if your listening/mixing tastes line up with this one.

Next is an EP from one of the UK scene’s strongest producers, Eryk Orpheus. Doofs, Squeaks and Bleeps is an interesting mix of styles that has been a long time in the making – my favourite track in the release, Benodihydrochloridebenzylex, has been floating around for years. It’s another great example of how dark psy/goa can be incorporated into freeform even if things here don’t quite go to Qygen-like next levels. The EP is available for a mere £1.50 via the Intelli-Trance site.

I’m obviously never averse to a trip down memory lane, and the other day I was thinking fondly back to how many ‘amateur’ Finnish producers used to come up with some wonderful stuff, promoted via the FINRG forums (often by way of mikseri).

Jimhe’s Iku-Turso is a decade too late to join Cyber Genetics, Beliar, and the rest, but thanks to SoundCloud there’s still a chance this excellent track will get the exposure it deserves. From the moment the first acid lines and melodies kick in it’s clear that this is freeform in the finest Finnish tradition (both musically and otherwise) that manages the energetic/melancholy balance impressively. Throw in a beautiful, creative pre-break, weighty drop, and some Aryx-esque leads, and you have a quality piece of work.

That I was easily imagining this playing alongside some of Grimsoul’s mikseri back catalogue should say it all, as his rough and readier older tracks sometimes hit atmospheres that weren’t matched by the later versions (see Painajainen and Bleed as an example). I hope to goodness that after an introduction like this Jimhe has plenty more on the way.

I took the chance to upload a few more NRGetic Romancer sets today, including a rare Proteus recording and the original Betwixt set that got me into freeform in the first place. Bringing up the rear is my old set from 2009 – all three confirm once again that Romancer’s atmosphere just couldn’t be beaten, and putting audio quality complaints to one side for now, I love reminiscing while hearing the crowd madness of these mic recordings.

The Proteus set is probably of most interest to many, recorded in 2007 at NRGetic Romancer’s 3rd anniversary. Although I don’t seem to have the other headlining sets from Guld and ADAM Lab 4, this one is a pretty special hour and a quarter that really shows what Proteus was all about at the time. Featuring plenty of the tracks on his then-upcoming The Nature of the Beast, the set also includes some excellent older NRG. I haven’t given a tracklist a try yet, but I’d love to know who’s responsible for the Manson remix around 16.17.

The Romancer playlist is pretty impressive already, but there might well be more to come…

There have been rumours of a Carbon Based return this year, and here it is – unpredictable as ever, the comeback track is a pretty glorious rework of Korpiklaani’s folk metal.

It’s not quite freeform, mind, as the Toni and Teemu CB influence has led this one down the breaks path. Even so, the sound is unmistakably recent-era Carbon Based, especially those beautiful breakdowns and leads. I must admit to expecting/hoping for a 4/4 kick and some FINRG filters to burst in at some stage, but things have been reined in this time, alas.

Indeed, the atmosphere on the whole is far lighter than the dark, folky melancholy of the original, which also got me thinking about how great a range of FINRG remixes would have been. Imagine a freeform edit, or if Proteus, Nomic, or Horzi could get their hands on this?

This track is still a fine piece of work at a possibly useful 160-ish bpm, and (amazingly) suggests that if anything the Carbon Based production levels are still improving. It’s available in mp3/FLAC formats here.

Apologies to the Lucky Lotus chat crew who have been expecting this for almost a week, but hopefully late is better than never – best we take a look at this one before we work through some other very promising sets from last weekend.

You might remember that we were both originally on the lineup to play individual sets, but what with one thing and another it worked out easiest for us both to go for another collab. Not that I’m complaining – last year was really good fun, while this one was a great way to get over a slight lack of recent freeform inspiration on my part. I have a darker set in the very early works, but last year’s In Praise of Shadows mix worked out so well I’m having trouble matching that for the time being.

Instead I thought a slightly more melodic approach might be interesting this time, including some of the freeform side of IPoS. Shimotsukei had her own ideas of course, and the set somehow worked out very nicely with minimal rejigging of the tracklist. My toughest job was to come up with pre-Fleshfest sequence which led me to settle on Some More. Years of diddling around with the track has still left me with no decent transitions, and so after spending time on all sorts of bizarre combos I gave up and went for a Grimsoul-only opening. We don’t hear his tracks often enough these days (Sentimental Pain aside), plus it was my first time to use any of the three in a set.

Shimotsukei’s sequences are all fantastic, from the standout NRG of Fleshfest Mad Man to the so-mad-it-might-just-work finale of Voodoo to Xochitlan. Each sequence is made all the more impressive by the fact that Shimotsukei was mostly working with my completed sections of the set, once I had cheerily passed them on for her to struggle with.

My own favourite section is Syxautik to Ascend to the Stars, even if it’s the most roughly mixed (with some suspect levels that definitely didn’t seem as bad while mixing). I was trying a dark, deeper atmosphere there, with some more emotional sounds coming in as it progressed – I think it’s pretty successful, and a bit of a preview of the kind of thing I’d like from the next solo set.

It was very nice to see the positive reaction to the set in the LL chat, as well as exchange a few words with Horsers for the first time in far too long. Big thanks of course to LL for the invitation, and especially to Shimotsukei for all the hard work to get the set ready in time. I hope we’ve still got a few more collabs ahead of us, they’re going well so far.

I haven’t given up thoughts of the occasional live set stream (on chew, twitch, or somewhere else) and will keep you all posted, but I do at least have a new mix approaching completion – not the usual thing at all, but hopefully it’ll be the kick needed for a more productive second half of the year.

01. Grimsoul – Escape Forever [Electronica Exposed]
02. Grimsoul – Pahus [Electronica Exposed]
03. Grimsoul – Some More [Electronica Exposed]
04. Carbon Based, DJ Rx & Proteus – Fleshfest [FINRG]
05. Proteus, Ephexis & Ting – Angel of Hell [UHOtrax]
06. FEN Project – Mad Man [FINRG]
07. DJ Rx – Fisheye [FINRG]
08. Morita Yuuhei – The Ghost [Thank You For The Horse]
09. Alek Szahala – Dryad Machine (Hyphen Remix) [Thank You For The Horse]
10. Nightforce & Substanced – Operation Stardust [Electronica Exposed]
11. Pain on Creation – Mortality [FINRG]
12. Twisted Freq – Syxautik [Electronica Exposed]
13. Mellow Sonic – Paradoxon [Cosmicopia Records]
14. Alek Szahala – Ascend to the Stars (Qygen Remix) [ReBuild Music}
15. Anon – Voodoo (Power Mix) [White Label]
16. DJ Eclipse – Ultra World 5 [Bonkers Records]
17. Betwixt & Between – East of Eden (Remaster) [CDR]
18. Alek Száhala – Xochitlán [FINRG]

Pre-Lucky Lotus it was tough to find quality sets of newer freeform, making Hedonistik Rutual’s FutureProof set a very welcome one. It’s a beautifully put together hour or so with a very strong theme, managing to represent a few sides of the scene without things getting disjointed.

The opening is the real standout of the set to my ears – Hedonistik coming up with a lovely live edit of Byrgius that flows perfectly into Hyphen’s NEXUS. This excellent start leads into some more thoughtful melodic tracks (including Sentimental Pain, of course), with Transcend’s remix of Isn’t it all a little strange proving to be a nice bridge into the more UK-centric sounds.

Some might not float my boat, but both the mixing and selection are solid and really well considered – that use of Artifical Reality as another bridge to switch things up again is a nice touch. Finishing with Iron Sky and Hyphen’s Dryad Machine remix nails the energetic melancholy that always works for a finale, taking things back to the Alek-esque atmosphere of the opening.

Kudos to FutureProof for promoting a variety of sounds in their mix series, and to Hedonistik for showing how a skilled DJ can travel the middle ground between the UK and Finland in fine style.

01. Alek Szahala vs Aryx – Byrgius (Ritual Intro Edit)
02. Hyphen – NEXUS
03. Grimsoul – Sentimental Pain
04. Exemia – Aeroduel (Hyphen Remix)
05. Shokk – Isn’t it all a little strange (Transcend Bootleg)
06. Transcend & Hedonistik Ritual – Scorched
07. Aeon – Games with God
08. Ace Ventura – Neurochemistry
09. Transcend & Cyrax – I’ll show you the Darkside
10. Arkitech & Cyrax – Destroyer of Worlds
11. Transcend & Hedonistik Ritual- Mercator de Mortem
12. Substanced – Artifical Reality
13. Kokomochi – Iron Sky
14. Alek Szahala – Dryad Machine (Hyphen Remix)

Only a week to go until this year’s Lucky Lotus, including my first recorded set of the year. Once again it’ll be a back to back with Shimotsukei, but this time with more of a freeform feel than our previous collab.

As always the lineup for the rest of the event is as good as you could hope for, happily with another good showing from the freeform scene. Names that leap out so far include Horzi, Hedonistik Ritual, Orphic, Alabaster, Solvynt, Decion, Byproduct and Alek Szahala, but as the festival runs for the usual three days it’s definitely worth checking the event page for updates and timetable info. Shimotsukei and I are scheduled for Saturday the 24th at 13:35 GMT.

I dread to think when the last post was – Life Stuff has meant some schedule juggling to fit everything in, and TYFTH has been suffering a bit as a result. Finally getting around to a few posts though, starting with the grand launch of Lucky Lotus’ CD compilation, Summertime Dreams.

The most significant news so far for freeform in 2017, this compilation has some very big names on board – Nomic, Qygen and Morita Yuuhei top the bill, with a very nicely produced contribution from Erkenfresh and Archari and Shimotsukei’s Dagor Dagorath adding some up-and-comers to the tracklist. With Shimotsukei in charge of things the rest of the release is about as eclectic as you’d expect, giving us a taste of everything from funkot to downtempo chillout, via Lab4’s excellent, roll-back-the-years NRG track, Moving To The Beat.

edit: I’ll blame posting rustiness for not mentioning something so important yesterday, but LL has announced that Qygen’s Crystal Cave will be his last freeform track. Talk about another huge loss to the scene, though the signs are that he’ll make a return to music of a different sort in the future.

Not really a release you can afford to miss, I’d say – it’s set for the end of June, but preorders are open already on the Lucky Lotus bandcamp and bigcartel sites.

The next NRGetic Romancer set is a pretty formative one for the whole event, with Orfeus setting the standard for guest bookings for the rest of the decade. A lot of the FINRG artists were already in full flow by this point, possibly making Orfeus a surprising first choice until you skip through this absolutely on-point hour and a bit of NRG and early golden-era FINRG. The booking says a lot for Guld’s knowledge of the scene even 13 years ago, and Orfeus of course went on to use the deadly combo of Japanese and Finnish tracks in a lot of sets, a good few years before I started doing the same.

This is a live recording via the mixer, giving a nice clean sound minus crowd noise and any nasty volume changes. The tracklist is a tricky one though, as apart from the obvious selections I’m having a really tough time identifying many. I love the first track after the intro, but up until the Kraken – Epilim combination I don’t have much of a clue what’s playing. Would anyone like to give it a go?

Even without the tracklist this is a lovely set in classic Proteus/Guld style – slanted towards NRG, plus melodic FINRG tracks as interludes that are still hard and dark enough to slot in smoothly. This might be my favourite of the Romancer sets I’ve discovered, but there’s more to come.

edit: Thanks to SteTN and Solvynt we’ve already got a pretty respectable tracklist. Feel free to pitch in if you have some ideas for what’s left!

00:00 = PoC & Orfeus – Intro (uses parts from a very early prototype of PoC & Orfeus – The Sanctuary)
1:27 – 8:30 = Proteus – Dark Queen (?)

14:24 – 19:54 = Reyes – Fuck You / Captain Tinrib – The Kraken (?)
19:54 = Epilim – Rapid Fire

30:30 – 35:09 = Flatus – Cloaca

45:25 = Alek Szahala – Chimaera
51:20 = Epilim – Plasma
56:20 = RX – Uprising
1:03:16 = Epilim – Desert Eagle

Although Decion might be best known for his NRG collabs with Alchemiist, he was also part of the freeform scene from the very early days of the Finnish sound. Anyone who missed out on his more freeform-centric sets should head towards his mixcloud, where there’s an impressive back catalogue that also includes NRG and hard dance. The freeform sets are very TYFTH-friendly, and maybe especially interesting for the inclusion of some lesser-known artists of the time such as Cyber Genetics and Beliar.

While lately the bpms might be slightly calmer, Decion showed in his recentish This is How I Roll 2 that he still has taste for the older stuff, ending another excellent, varied set with Hase’s Houkai.