I should really have mentioned by now that FINRG’s latest EP has been online since last week, as I suspect you’re going to have to search hard to find a better freeform and NRG release anywhere this year. The ever-reliable combo of Alchemiist and Substanced has done it again with Dead Silence and its freeform remix, two tracks that definitely play to the strengths of their genres.
Aspiring freeform producers who missed the recent(ish) announcement should note that FINRG is accepting track submissions. Another promising sign (after Substanced’s Pure Freeform) that the label is resurrecting itself for the end of the year, and it can’t come soon enough.
As much as I’d love to be accepting tracks to be be released on TYFTH that’s not a possibility for the forseeable future, so it’d be lovely to see some IPoS-inspired darker tracks surfacing on FINRG in the meantime. Surely getting in touch through any of the usual channels will do the trick, but the orginal announcement can be found on the FINRG Facebook page.
This one’s already closing in on 200 SoundCloud ‘likes’ and will probably have been on everyone’s radar for a while, but Substanced’s newest set definitely deserves a respectful shout here too. I expect most will have looked with disbelief at such a new-release heavy tracklist – if this was your only set listen of the year you’d be convinced the 2017 scene is in rude (albeit very trancy/melodic) health, with Substanced’s tracks pushing a promising style of updated FINRG sounds.
Remember me positing that Hyphen’s Dryad Machine remix would be the In Praise of Shadows track with the most cross-scene appeal? Hardly a bold prediction, but it seems to be the case, here used from the break as a really effective post-intro opening track. Substanced’s material is an absolute highlight of the set – they might be tricky to mix with really darker stuff, but my gooodness there’s some great work on the melodies, as well as yet more evidence (see that excellent Gamemaster remix) that he’s the current king of the ‘FINRG filter.’
We all know what a good fit Substanced and Transcend’s tracks are together – melodic, often uplifting and with enough nastiness to get everyone dancing, here they’re mixed in a rock solid style that’s hard not to enjoy. Alchemiist’s remix of Can U See Now might be my favourite of the new tracks though, while I was overjoyed to hear Unconsciousness towards the end – the madness of that classic breakdown is a worthy follow up to Substanced’s Cyclone remix.
The ‘I’ in the mix suggests a follow up, and as welcome as that’d be it seems that this set alone has been enough for a fair few FINRG fans to revisit the scene. With the label taking submissions again we could be on the way up again after the recent quiet spell.
Great to see some DJing names returning to the fold lately, including our old friend Alderz with a quality, nostalgic tribute to Carbon Based.
If I had the choice of their whole back catalogue, my final tracklist would probably end up very similar to this one – Alderz has done a fine job of representing CB’s trademark sound along with some relatively newer tracks, promos and less played classics. Dark Side is a typical starting point, but that switch into Underworld Species is by far the best transition into freeform I’ve heard.
The majority of the set after after that progresses through some of the most satisying examples of FINRG filtering you’re likely to hear, interspersed with melodies to keep the interest up. Anthem is a great choice for the halfway point, and going the melancholy direction for the last three tracks works nicely. The transitions to/from Psychotherapy work especially well.
Cyclone arrives a bit awkwardly, but the tribute certainly wouldn’t have been complete without it. Alderz has done a top job with this one, showing an appreciation for the CB/FINRG atmosphere that veterans and newer arrivals to the scene would do well to check out.
That Solvynt’s was the first Lucky Lotus set I checked out after the event will come as no surprise to those who’ve been listening to his work over the past few years. This one may well feature one of his strongest tracklists so far, even if the tradeoff turns out to be fewer show-stopping transitions.
Starting with Tigris sets the tone – this set is heavy on NRG but at freeform speeds, leading to some really nice connections I never would have considered. The early combo of Desolated Dreams and Prelude works well, while the long combination of Inquisition and Get Fire! has its moments without quite coming together as hoped. Perkele! into Shine is transition of the set though, one of those moments when the line between DJ and creator blurs slightly . Excellent, excellent stuff, followed by a really effective introduction of Brionac via Full Metal Jacket.
Matter of Fact arrives in slightly uncomfortable style, but The Brain Controls Pain transitions far more smoothly, introducing a final third of melodic classics. Skybreak is a great choice, and I love the use of Celestea’s final filters with Gravity’s Rainbow.
Another quality set then, and the nit-picking over a couple of moments is just that – only because Solvynt continues to be one of the few freeform DJs prepared to experiment with such ambitious track combinations. Inspirational stuff that should be required listening, especially if you’re planning a mix yourself.
A couple of recent EP releases here that most will have seen, but both are encouraging signs that the big names haven’t given up on freeform just yet. From The Shadows is a very welcome return for FINRG, though this is obviously more of a UK freeform showcase and style-wise is only nominally in the same ballpark as previous Finnish releases. My favourite is Transcend and Hedonistik Ritual’s Scorched, with its trademark Transcend production and some nice filtering on the leads.
The release is also notable as a step away from SoundCloud free releases, appearing instead on Beatport and Juno Download. I know from TYFTH research and my days helping out with Hybridize that sales from digital download sites have to be pretty healthy to make it a worthwhile exercise, so be sure to show some support if your listening/mixing tastes line up with this one.
Next is an EP from one of the UK scene’s strongest producers, Eryk Orpheus. Doofs, Squeaks and Bleeps is an interesting mix of styles that has been a long time in the making – my favourite track in the release, Benodihydrochloridebenzylex, has been floating around for years. It’s another great example of how dark psy/goa can be incorporated into freeform even if things here don’t quite go to Qygen-like next levels. The EP is available for a mere £1.50 via the Intelli-Trance site.
I’m obviously never averse to a trip down memory lane, and the other day I was thinking fondly back to how many ‘amateur’ Finnish producers used to come up with some wonderful stuff, promoted via the FINRG forums (often by way of mikseri).
Jimhe’s Iku-Turso is a decade too late to join Cyber Genetics, Beliar, and the rest, but thanks to SoundCloud there’s still a chance this excellent track will get the exposure it deserves. From the moment the first acid lines and melodies kick in it’s clear that this is freeform in the finest Finnish tradition (both musically and otherwise) that manages the energetic/melancholy balance impressively. Throw in a beautiful, creative pre-break, weighty drop, and some Aryx-esque leads, and you have a quality piece of work.
That I was easily imagining this playing alongside some of Grimsoul’s mikseri back catalogue should say it all, as his rough and readier older tracks sometimes hit atmospheres that weren’t matched by the later versions (see Painajainen and Bleed as an example). I hope to goodness that after an introduction like this Jimhe has plenty more on the way.
I took the chance to upload a few more NRGetic Romancer sets today, including a rare Proteus recording and the original Betwixt set that got me into freeform in the first place. Bringing up the rear is my old set from 2009 – all three confirm once again that Romancer’s atmosphere just couldn’t be beaten, and putting audio quality complaints to one side for now, I love reminiscing while hearing the crowd madness of these mic recordings.
The Proteus set is probably of most interest to many, recorded in 2007 at NRGetic Romancer’s 3rd anniversary. Although I don’t seem to have the other headlining sets from Guld and ADAM Lab 4, this one is a pretty special hour and a quarter that really shows what Proteus was all about at the time. Featuring plenty of the tracks on his then-upcoming The Nature of the Beast, the set also includes some excellent older NRG. I haven’t given a tracklist a try yet, but I’d love to know who’s responsible for the Manson remix around 16.17.
The Romancer playlist is pretty impressive already, but there might well be more to come…
There have been rumours of a Carbon Based return this year, and here it is – unpredictable as ever, the comeback track is a pretty glorious rework of Korpiklaani’s folk metal.
It’s not quite freeform, mind, as the Toni and Teemu CB influence has led this one down the breaks path. Even so, the sound is unmistakably recent-era Carbon Based, especially those beautiful breakdowns and leads. I must admit to expecting/hoping for a 4/4 kick and some FINRG filters to burst in at some stage, but things have been reined in this time, alas.
Indeed, the atmosphere on the whole is far lighter than the dark, folky melancholy of the original, which also got me thinking about how great a range of FINRG remixes would have been. Imagine a freeform edit, or if Proteus, Nomic, or Horzi could get their hands on this?
This track is still a fine piece of work at a possibly useful 160-ish bpm, and (amazingly) suggests that if anything the Carbon Based production levels are still improving. It’s available in mp3/FLAC formats here.
Apologies to the Lucky Lotus chat crew who have been expecting this for almost a week, but hopefully late is better than never – best we take a look at this one before we work through some other very promising sets from last weekend.
You might remember that we were both originally on the lineup to play individual sets, but what with one thing and another it worked out easiest for us both to go for another collab. Not that I’m complaining – last year was really good fun, while this one was a great way to get over a slight lack of recent freeform inspiration on my part. I have a darker set in the very early works, but last year’s In Praise of Shadows mix worked out so well I’m having trouble matching that for the time being.
Instead I thought a slightly more melodic approach might be interesting this time, including some of the freeform side of IPoS. Shimotsukei had her own ideas of course, and the set somehow worked out very nicely with minimal rejigging of the tracklist. My toughest job was to come up with pre-Fleshfest sequence which led me to settle on Some More. Years of diddling around with the track has still left me with no decent transitions, and so after spending time on all sorts of bizarre combos I gave up and went for a Grimsoul-only opening. We don’t hear his tracks often enough these days (Sentimental Pain aside), plus it was my first time to use any of the three in a set.
Shimotsukei’s sequences are all fantastic, from the standout NRG of Fleshfest – Mad Man to the so-mad-it-might-just-work finale of Voodoo to Xochitlan. Each sequence is made all the more impressive by the fact that Shimotsukei was mostly working with my completed sections of the set, once I had cheerily passed them on for her to struggle with.
My own favourite section is Syxautik to Ascend to the Stars, even if it’s the most roughly mixed (with some suspect levels that definitely didn’t seem as bad while mixing). I was trying a dark, deeper atmosphere there, with some more emotional sounds coming in as it progressed – I think it’s pretty successful, and a bit of a preview of the kind of thing I’d like from the next solo set.
It was very nice to see the positive reaction to the set in the LL chat, as well as exchange a few words with Horsers for the first time in far too long. Big thanks of course to LL for the invitation, and especially to Shimotsukei for all the hard work to get the set ready in time. I hope we’ve still got a few more collabs ahead of us, they’re going well so far.
I haven’t given up thoughts of the occasional live set stream (on chew, twitch, or somewhere else) and will keep you all posted, but I do at least have a new mix approaching completion – not the usual thing at all, but hopefully it’ll be the kick needed for a more productive second half of the year.
01. Grimsoul – Escape Forever [Electronica Exposed]
02. Grimsoul – Pahus [Electronica Exposed]
03. Grimsoul – Some More [Electronica Exposed]
04. Carbon Based, DJ Rx & Proteus – Fleshfest [FINRG]
05. Proteus, Ephexis & Ting – Angel of Hell [UHOtrax]
06. FEN Project – Mad Man [FINRG]
07. DJ Rx – Fisheye [FINRG]
08. Morita Yuuhei – The Ghost [Thank You For The Horse]
09. Alek Szahala – Dryad Machine (Hyphen Remix) [Thank You For The Horse]
10. Nightforce & Substanced – Operation Stardust [Electronica Exposed]
11. Pain on Creation – Mortality [FINRG]
12. Twisted Freq – Syxautik [Electronica Exposed]
13. Mellow Sonic – Paradoxon [Cosmicopia Records]
14. Alek Szahala – Ascend to the Stars (Qygen Remix) [ReBuild Music}
15. Anon – Voodoo (Power Mix) [White Label]
16. DJ Eclipse – Ultra World 5 [Bonkers Records]
17. Betwixt & Between – East of Eden (Remaster) [CDR]
18. Alek Száhala – Xochitlán [FINRG]