Finnish

Thanks again to everyone who stopped by for the last stream – seems like this one caught some interest and there was a decent-sized group listening live, especially given the last-minute promotion. Listening back I’m pleasantly surprised by how well the set works, so this one has also gone up on the TYFTH SoundCloud. There’s a much bigger audience over there, for what turned out to be a nice ‘beginner’s set’ with plenty of newer tracks.

The initial idea was to build the whole thing around more melodic freeform, but it also ended up feeling a lot like one of my old school sets. They tended to mix up melodies and nastier tracks a lot more than I do these days, and it was quite refreshing to rattle through a new generation of tracks in that style. The Exit 133 – No Choice At All transition is one I’ve been sitting on for a while, tweaked a bit here but still a very welcoming combination that leads into the faster-feeling modern tracks. polaritia’s tracks were my go-to when I realised that I didn’t want things to head into ‘happy freeform’ territory – maybe it was mixing muscle memory that transformed the set into something I might have played at Hell’s Gate all those years ago.

Cannibal Girl was as fun to use as expected, and I have a feeling that it could become the Hellfire of the current era – very flexible and able to switch up the atmosphere of almost any set. Less planned was the choice of Rise From The Darkness, as I actually bought the track an hour before the start of the stream. I’d been scrambling for something to link with Facemelt, so that along with the breakdown’s nod back to Cannibal Girl made it a good choice.

The set was supposed to end with Zafkiel, but I was having such a good time I thought to carry on a little longer. SIBYL was a nod to Kokomochi in the stream chat, as it’s by far my favourite of his tracks, followed by Substanced’s remix of Cyclone. I’m yet to find a really good transition for it, which meant I didn’t feel quite so bad shoehorning it into the ‘encore’ slot.

There are still a fair few tracks on the more melodic side that I’d like to play, so it might not be a bad idea to switch things up with another set in this style before too long.

 

Anyone following Shimotsukei’s SoundCloud will have noticed a recent burst of incredible mashups, mostly featuring Betwixt & Between – but for everyone else, it’s about time I pointed out a couple of favourites.

So far, of the uploaded versions, I’m probably the biggest fan of Phaedra’s Hypnodisc, a lovely, aggressive mashup that somehow balances the odd atmospheres of both tracks to come up with something new. Both have detuned sounds all over the place that make ‘normal’ mixing difficult enough, but this mashup impresses as it keeps it all together. The extra weight at the lower ends also benefits both, making them a lot more playable in more modern sets. A really incredible effort and the best (online) example so far of what Shimotsukei’s been working on.

Check it out at Shimotsukei’s SoundCloud along with the ambitous Tindaros Invasion, another highlight. You Are Surging, meanwhile, is a quality mashup but still not enough to make me listen to Betwixt’s remix of You Are, something I’ve never been able to play all the way through thanks to some truly painful vocals.

Now’s probably also a good time to mention Shimo’s superb Megabyrgium, a mashup that deserved its own post a couple of years ago and still holds up brilliantly. Still no download, but an absolute must-listen.

 

I’ve been keeping an eye on hardrng’s soundcloud for quite some time now, belonging as it does to someone we all know well at TYFTH. This third mix upload has to be the best so far, and some blinding work in the middle of the set makes it one that I’m happy to mention here.

The whole tracklist is very TYFTH-friendly as you’d expect, with a solid opening of Tendrils of Reality and Acid Maker setting up the atmosphere nicely. It’s the next transition that shows the ambition behind the set, as Kamsheen is teased in and out of Acid Maker. So close but not quite matching up, it’s a heroic effort and very nearly a killer combination. Frozen Abyss into Reboot The System, meanwhile, is an absolutely superb transition and a worthy centrepiece for the set, both selection-wise and for the quality of the blend.

Is it worth listening after that high watermark? Absolutely, as there’s an enjoyable shimmy around a few varieties of freeform in the second half. As always there’s something to enjoy in Lost Soul’s tracks, so that and the Substanced remix of Eons keep things on the darker, more technical side of this interlude into UK freeform. It was nice to see hardrng rein things back in though, and Aryx is always a good option to bridge the gap and reintroduce some depth to a set.

The finale is the other major highlight of the set, with a superb choice of atmosphere and smooth mixing. The echo of Fairytale’s melody in Morokai isn’t something I’ve thought of before, but it’s a lovely little trick, maybe even improved with the breathing room of another Lost Soul track in between.

One or two transitions could have done with cleaning up, but that’s a minor complaint in a really enjoyable set that also has me looking forward to the next.

That’s the TYFTH definition of ‘new,’ of course, so there’ll probably be plenty here you’ve seen before. Either way, I had a lot of catching up to do after summer and these are some of the tracks that have caught my eye since.

Last start with an obvious one – Risa & polaritia’s Raise Your Hands. Great to see it appearing on FINRG, this is a lovely NRG track with a little something different added by polaritia. Really nice sounds in this one, but be aware that it’s very much at NRG bpm. The full version can be found on beatport.

Risa and polaritia also appear on Genkai Records 15, another ambitious multi-genre compilation. Must admit I’m dubious how many people will be keen enough on every genre to go for the entire release, but praise be for the bandcamp option of picking up individual tracks. Risa’s S.O.S. is as solid an NRG track as you’d expect, while Multiverse Glitch is a superb freeform effort that’s up there with my favourites from polaritia. On the downside I’m really not a fan of the mastering on the track, as there are some pretty piercing highs and an overall treatment that doesn’t work well with the grittier oldies or the unbelievably clean job done on many new freeform tunes.

Next up isn’t a release, strictly speaking, as exemia’s CultistKiller is one of a group of tracks that might appear on a future album. Partly made with a Gameboy DMG, this is an absolutely brilliant track and one of my favourites of the whole year. Expect loud announcements of any release here, as and when.

Finally for now is a quality step off the beaten path for Transcend in the first release on his new label, Glowmind. This collab with Freedom almost sounds like something that could have appeared on Kreatrix back in the day, and also reminds me of classics like Kinky. Although early mixing practice with this one has been pretty challenging thanks to the oddly feeble kick and bass in the first half, I’m sure this would sound fantastic in the right set. The full release is on the Glowmind bandcamp.

No matter that this set went online 8 months ago, it’s still one of the highlights of the year and more than deserves a delayed shout here. This was Hedonistik Ritual’s first set after induction into the FINRG crew, and I wonder if that was the inspiration for the fantastic stuff going on here.

It’s probably one of the most carefully constructed sets I’ve heard for a long time, with some excellent pacing and impressive extended atmospheres. Just take a listen to those opening three tracks, managing to tightrope walk between the melodies and harsher sounds, anchored all the way by some piano. That’s followed up by a smooth move into Substanced, with HR’s own Exorcist changing key but echoing the style of Redemption with its own intro. Then it’s straight into another superb transition with Antiproton Decelerator; this is really classy mixing.

The rest of the set keeps the standard high, adding more piano to tie things together, and doing some fine work to shift the styles around as far as Taste the Funk. Zinzya is a lovely choice of track to get back into tradtional FINRG synth territory, leading into yet another well mixed section that finishes with the best use of Tigris I’ve ever heard.

That Hedonistik has managed to put together such a coherent set and still work in his newer productions is really next-level, putting this a step above both a live PA and the efforts of most non-producing DJs. The kind of melodic set I like best, this one’s a masterclass and one of FINRG’s strongest uploads all year.

1. Polaritia – Fear the Fire
2. Transcend & Cyrax – Quell
3. Kokomochi – Artemis
4. Substanced- Redemption
5. Hedonistik Ritual- Exorcist
6. Hyphen- Antiproton Decelerator
7. Hedonistik Ritual- Enjoy
8. Visionary – Taste the Funk(Cube::Hard Remix)
9. Hedonistik Ritual- Desecration
10. Hedonistik Ritual- Free the World
11. Hyphen – Zinzya
12. Hedonistik Ritual- Destination
13. Alek Szahala – Tigris

Not much to add to the title, but an extra apology for the delay as I know some have been waiting for the store page to wake up again. I’ve restocked on packaging and will be able to send out any orders pretty soon after they arrive – it’ll be the same setup as last time, with me aiming to send any out within 3 days. If it ends up being longer for whatever reason then I’ll drop you a message via email to let you know. There’s no tracking on the deliveries, but if you’ve placed an order and would like to know exactly when I sent it out, chase me up via email and I’ll be happy to check.

The store page can be found here.

With barely 120 SoundCloud listens so far, Melancholia’s rather special Lucky Lotus set remains slept on by too many. Whether a post on the dusty pages of TYFTH will make much difference is doubtful, but either way I’d like to pay proper tribute to one of the finest sets I’ve heard for years.

Although I’ve been familiar with Melancholia’s sample-heavy mixing style for quite a while, this time around the tracklist couldn’t get much closer to the TYFTH ideal. Add in to that some pretty inspiring mixing, and you’ll understand why I was so excited about this one.

Self Extortion is obviously a good start (with bonus points for some great work on the intro), and one that gets even better thanks to an impressive harmonic mix into Aurora. That super smooth Sylph into Byrgius transition is a standout, while the way Eternity Has Passed mixes in next, underneath Byrgius’ filters, is a sign of Melancholia’s technical flexibility. A combination that could have sounded very messy is instead nicely aggressive, with some voice samples papering over any of the gaps that are left.

You’ll notice a lot of trademark sample usage here and there, including some fantastic use of the Self Extortion vocals. Others are less effective to my ears – Aryx’s melancholy breakdowns are probably vocal-less for reason, after all, but on the whole they’re both well selected and well timed. There’s generally a nice line being walked between the po-faced samples you often hear in Finnish tracks and the nudge-and-a-wink semi-comedy style of some UK freeform (‘At ease, listen up!’ is one of my favourites here).

Hearing Eternity Has Passed at 175ish makes me realise how much I like it, and it’s probably somewhere in my top 5 Betwixt tunes when played at this speed. It’s a reminder of how, when Betwixt was really feeling the inspiration, even Nomic or Alek would struggle to match him. What I’d give to hear a modern freeform bootleg or two.

The samples appear again as the set moves into Axiomatic System, giving some listening landmarks that are so effective that I might do some experimenting of my own in this style. As for Lost Soul, I’ve surely lamented before that there are an awful lot of tracks that have some fantastic moments but never quite live up to the atmosphere I’m expecting. Here Melancholia’s solution is to combine an effective snippet of the track with the ever-reliable Iron Squid. Ephexis’ Destination Entheogen remix is right up there with their best, and here makes for a surprising but effective finale. With the shortened use of Axiomatic System I’d prefer DE to be given more time – as the first four tracks had longer play it would help greatly with the flow of the second half of the set. That’s tricky to balance in a 22-minute mix though, and a minor weak spot in a massively impressive piece of work.

I’m biased thanks to the track selection, but this would still be a must-listen thanks to the technical quality on show. If you’ve been feeling a bit stuck in a mixing rut then this could well give you some new ideas, and those non-DJs who stick to listening will probably end up making this their TYFTH-style go-to for a long while.

01. Betwixt & Between – Self Extortion
02. Aryx – Aurora
03. Aryx – Sylph
04. Aryx & Alek Száhala – Byrgius
05. Betwixt & Between – Eternity Has Passed
06. Lost Soul – Axiomatic System
07. Alek Száhala – Iron Squid
08. Alias A.K.A. & Johan Floss – Destination Entheogen (Ephexis Remix)

Slightly belated thanks here to everyone who listened to last weekend’s stream. As I mentioned on Mastodon, it was a nice feeling (and quite an achievement by recent standards) to announce and then plan a set at fairly short notice. More gratifying, though, was seeing some TYFTH regulars in the chatroom, ready and waiting even before the set started. It made my evening, and even if the streams don’t pick up a larger audience I would be more than happy to play for our little group as often as I can manage.

This time it was Alek-only, and to up the challenge (and interest) there were some relatively underplayed tracks in the list. Overall I was very happy with how it went, especially as a few sequences turned out well enough that they’ll probably find their way into the eventual Alek tribute mix. I’m thinking especially of that Ziggurat – Fuji – The Hater section, which feels like a pretty effective way to switch things up from melodic to aggressive. The overall progression was also good, and it bodes well for the ‘real’ set (whenever that’ll be) that I ended up cutting a few other new transitions to keep things as close to an hour as possible.

Tracklist

01. Alek Szahala – Balag Lamara
02. Alek Szahala – Maruuk
03. Alek Szahala – Voices of Babylon
04. Alek Szahala – Unholy Word
05. Alek Szahala – Tlaloc
06. Alek Szahala – Mageslayer
07. Alek Szahala – Dryad Machine
08. Alek Szahala – Ziggurat
09. Alek Szahala – Fuji
10. Alek Szahala – The Hater
11. Alek Szahala – Ngarnuuk
12. Alek Szahala – Vengeance
13. Alek Szahala – Icy Clouds
14. Aszagarnak – Shinnae

 

Those still pining for the sound of Epyx & Cyrez are in luck, as Cyrez has a new remix of his Engrams of Cyrez track, Uni Impulse, ready for imminent release. More than just a welcome echo of the duo’s old style, this stands up to the best of their 170+ bpm output and combines it nicely with Cyrez’s recent experiments. The surprising shifts in the break and main melody approach the madness of When Left Alone at times, along with some lovely, Code of Silence-esque filtering.

Uni Impulse will soon be appearing on the Cyrez Bandcamp.

There are quite a few recent releases that I’d like to give a shout out to, starting with Substanced’s Science Fiction EP. I really like the approach to these FINRG releases at the moment, with Substanced repping the modern UK/Finnish fusion that he’s perfected, combined with something rougher from Alchemiist. It’s the same pattern this time, and even if Alchemiist’s Legend remix keeps things pushed further along the melodic end of the spectrum than I was expecting it’s a very fine track.

My standout on the EP though is Blue Remembered Earth, which slows things down for a long breakdown before one of the most beautiful drops and main melodies that we’ve heard on FINRG for a long time. Take away the preposterous production levels and I’d think we’re back in 2008 again – this is a modern FINRG sound that I can completely get behind.

The whole EP is now available on beatport.