Goa / Psy

Yet more release announcements, this time for the huge, freeform-only Lucky Lotus compilation, Before the Dawn. I can’t the only one who’s been hoping for something like from LL for a while now, and this is a high quality cross-faded preview. Also an impressive tracklist, with some veterans anchoring things in amongst the new faces and a lot of Japanese representation. I haven’t heard the full tracks yet, but going on this preview and others I’ve heard Kounta Kulture’s Cannibal Girl might be the most immediately promising. Definitely looking forward to a leisurely listen of the whole release, though.

The other good news is that the compilation will be released in little over a week via the LL bandcamp – the official date is 10th March.

As I’m danger of falling behind recent big announcements I’ll break with tradition and catch up with a few of the main ones in a single post. Good training for the hopefully regular appearance of some longer writing on the site this year, too.

Heading the post is the opening track from Proteus’ upcoming artist album. Rather than NRG or anything like it, instead this sounds very much like something that could have appeared on Platipus back in the day, which is of course high praise. The second track, Gute Nacht has also gone online and shows a more familiar darker style – if the previews maintain this standard then it’s going to be quite the release. Plus there’ll surely be some older-school, pacier tracks in there somewhere.

Possibly the biggest freeform announcement is the recent release of Future_Proof Sounds’ second compilation, a strong collection of tracks with Japanese representation from Hyphen and Kokomochi. Kokomochi’s If Not Machine has shades of ikaruga_nex and is a fine follow-up to Iron Sky.

We’ve also got another label entering the scene in the form of Skeny Tracks – it might lean towards melodic freeform and UK hardcore but the first release Retrofuture features a really impressive selection of newer artists from around the scene. Hyphen’s here of course, but watch out too for Sanaas’ Beastout.

Finally for now is an excellent hour of mixed tracks from BRK. Featuring a full tracklist of his own material plus a solitary remix, this is quality stuff and another clear step up for his productions. The collab tracks with GULD and NEON give the set some welcome variety, while Kaos Lodge is one of his strongest tracks for some time and a well-chosen finale.

If you’re keeping up on your goa releases you’ll know that Terraformer appeared about six months ago on Russian label Global Sect. There was a bit of a mixup with my order that has since been very smoothly sorted out by Adept, so it’s finally time to give it some space on TYFTH.

Global Sect continue to go the extra mile with the design and visuals of their releases, and while the spacey theme isn’t as strong as the more organic Mystery of Crystal Worlds the 4 CD physical version is still an incredible sight to behold. Although I might have been right to wonder if there was really enough top-level goa floating around at the moment for such a huge release, there’s a nice variety going on here with some more quality curation giving each CD a strong identity.

CD 1 is as good a start as you could possibly hope for, with a fine selection of Russian tracks joined by Mindsphere’s fabulous Enchanted Land. Alienapia’s Are You Mad? is a nice return to form, but The Essence of Bhagavat-Ghita is yet another excellent track from Psy-H Project and probably my favourite of the CD.

The second CD is more experimental with fewer heavyweight artists, but also as a pretty consistent sound that works in its favour. Edge of Infinity is about the oddest with its piano and guitars, while my favourite might be Clementz’ Conquer the Universe.

CD 3 is more uplifting and features some very strong tracks. Mindsphere’s Hidden Death is one to look out for, as well as the obvious choice of Gaura Nitay. Of the more uplifting tunes I most enjoy Raving Universe’s Ascension, but there’s plenty of quality from Zopmanika, Fiery Dawn, and Artifact303.

The final CD is entirely downtempo, maybe to follow the success of Artifact303’s outro to Mystery of Crystal Worlds. There are some lovely atmospheres here, but Liquid Flow’s Even Horizon sounds suspiciously like a typical goa track with the bpm bumped down a bit…there’s more to most downtempo tracks than that, it turns out. This was the first time to hear Fiery Dawn’s slower work, and the acid lines really do a fine job at this speed.

The absence of E-Mantra aside, this is clearly a very impressive release. Global Sect deserve support for these huge projects, and with something here for almost any goa fan there’s really no excuse not to.

Presumably we’re all familiar with Blue Revolver, 2016’s fondest of fond tributes to the modern(ish) shmup? I usually manage to restrain myself from too many game-related posts here, but BR sneaked through thanks to Wyrm’s sound design and a pretty remarkable OST from Qygen. Plus of course there was the excellent collection of remixes, including the return of ikaruga_nex and some lovely stuff from Hyphen – the game itself’s a must-purchase if you’re even slightly into the genre, but at the very least you need the soundtrack, which was comfortably one of the best freeform releases of the year.

Black Label is a CAVE style rebalance/update of the mechanics and frontend, with a genuinely interesting list of new additions. What’s bolder though is an arranged version of the soundtrack, wisely deciding not to try out-freeforming Qygen and instead taking things in a more conventional soundtrack direction. Exemia and Hagane are nice choices for remix duties (especially after Exemia’s quality work with Aerolith Aurorablast), and Hagane’s lush, breakbeaty take on Qygen’s tracks is sounding very successful so far. Black Label will be appearing in January next year.

Smiling Corpse’s newest release definitely lives up to the name, with 13 tracks of trancecore styled freeform that should bring back memories (for some) of the early scene, pre even the Nu-Energy/FINRG era. The CD compilation will be released this month but is already up for preorder – and with only 120 copies pressed (and 69 left at the time of writing) it might be worth getting in sooner rather than later.

My first solo mix of the year might not be freeform, but I’m glad to finally get this one finished. What eventually became this set started about three years ago, went very much on the back burner during In Praise of Shadows, and then came to mind again a couple of months ago. It’s relatively short for a Goa set, but there are a few reasons for that and the whole process has been pretty educational from a set-construction point of view.

Having followed Suntrip’s take on the genre for many, many years, I later became slightly obsessed with the idea of far darker tracks that maintained the emotion and melodic complexity of old and new school Goa. A bit of research on Psynews showed I wasn’t the only one, but there wasn’t much that fitted the bill, with most sounding more like slightly melodic forest or dark psy.

That changed once I discovered Psy-H Project’s Dance of Distant Worlds, released on Global Sect in 2013 and followed by the beautiful The Mystery of Crystal Worlds. Psy-H Project absolutely nails what I was looking for, and I orginally had thoughts of an extremely dark set of Goa based around that sound. Sadly very few other artists were doing anything remotely similar – my early efforts at putting a set together turned into a structureless mish mash of styles that kept meandering into super melodic Goa almost by accident.

In despair I gave up on the set, but decided to have another try earlier this year after listening to a lot of Mindsphere and the very promising six-track preview of Global Sect’s new Terraformer. The idea started to come together of a smoothly progressing dark set combining Global Sect and E-Mantra, with Mindsphere’s melodies as brief interludes.

Second Coming was just the track I needed to start things off, especially once I realised Ka-Sol’s Blogz worked pretty nicely as a follow up. It was this combo that also suggested the idea of changing tack slightly and going for a Goa interpretation of ‘dark psychedelic’, and so after some hints in Blogz and Gaura Nitay I eventually decided on Moonwalker as part of a trippier finale. It’s a typically climactic Morphic Resonance track (not a fan of that oddly overlapping snare/kick though) that combines well with E-Mantra and brings some extra weirdness to the set’s atmosphere, leading into Hynotic Signal’s Psychotria Viridis.

Mindsphere’s Tears of Goddess ended up being the sole ‘tranquil’ track, and even that wasn’t intended to stick around for too long. Hopefully it does the trick as a relatively peaceful pause (that all-important contrast), before the ferocious acid of Last Encounter comes in over the vocal.

In theory I could have drawn out the darkness-into-psychedelia theme to make a longer set, but even this version ended up becoming a silly amount of work. Recent events have given me less time and energy for set-tinkering, so even if it’s far from perfect I’m happy enough for now to have had fun with this shorter experiment.

01. Psy-H Project – Second Coming [Global Sect]
02. Ka-Sol – Blogz [Suntrip Records]
03. Psy-H Project – Gaura Nitay [Global Sect]
04. Psy-H Project – Infernal Candyflip [Global Sect]
05. E-Mantra – War of the Hierophants [Suntrip Records]
06. Mindsphere – Tears of Goddess [Suntrip Records]
07. E-Mantra – Last Encounter [Suntrip Records]
08. Morphic Resonance – Moonwalker [Global Sect]
09. Hypnotic Signal – Psychotria Viridis (Original Mix) [Hado Records]

A couple of recent EP releases here that most will have seen, but both are encouraging signs that the big names haven’t given up on freeform just yet. From The Shadows is a very welcome return for FINRG, though this is obviously more of a UK freeform showcase and style-wise is only nominally in the same ballpark as previous Finnish releases. My favourite is Transcend and Hedonistik Ritual’s Scorched, with its trademark Transcend production and some nice filtering on the leads.

The release is also notable as a step away from SoundCloud free releases, appearing instead on Beatport and Juno Download. I know from TYFTH research and my days helping out with Hybridize that sales from digital download sites have to be pretty healthy to make it a worthwhile exercise, so be sure to show some support if your listening/mixing tastes line up with this one.

Next is an EP from one of the UK scene’s strongest producers, Eryk Orpheus. Doofs, Squeaks and Bleeps is an interesting mix of styles that has been a long time in the making – my favourite track in the release, Benodihydrochloridebenzylex, has been floating around for years. It’s another great example of how dark psy/goa can be incorporated into freeform even if things here don’t quite go to Qygen-like next levels. The EP is available for a mere £1.50 via the Intelli-Trance site.

Inspired by the incoming Terraformer from Global Sect, I was meaning to go back to Goa for a post-In Praise of Shadows refresh, even before the freeform drought we’ve seen so far in 2017. Another release I’ve taken a proper look at in the meantime is Veil Of The Moon, the excellent fourth installment in Neogoa’s Dimensional Gateway series.

After a lot of recent Suntrip, Altar and Global Sect compilations that cater for the lighter Goa sound its nice to hear a darker, melodic, old-schoolish atmosphere throughout VOTM, especially as my forever-WIP Goa mix is always at the back of my mind. The intro track Dragon Twins starts the release off in impressively creative style, with some nice acid, psy elements and even decent use of the Think break. It’s into more conventional Goa territory for the following tracks, maintaining a consistently high standard throughout even if some of the production falls short of the scene’s big-hitters, with some occasional (comparative) muddiness or slightly spongy kicks.

Favourites for me would be the Proxeeus tracks Dagon and (with GoaD) Acid Implant, as well as Clementz’ Black Dwarfs. Negans’ Silver is a fine track, but doesn’t quite match the lovely stuff on his own Neogoa release, Danse Macabre. Both that and VOTM are freely downloadable and a very nice accompaniment to the great music appearing on the physical labels at the moment.

I dread to think when the last post was – Life Stuff has meant some schedule juggling to fit everything in, and TYFTH has been suffering a bit as a result. Finally getting around to a few posts though, starting with the grand launch of Lucky Lotus’ CD compilation, Summertime Dreams.

The most significant news so far for freeform in 2017, this compilation has some very big names on board – Nomic, Qygen and Morita Yuuhei top the bill, with a very nicely produced contribution from Erkenfresh and Archari and Shimotsukei’s Dagor Dagorath adding some up-and-comers to the tracklist. With Shimotsukei in charge of things the rest of the release is about as eclectic as you’d expect, giving us a taste of everything from funkot to downtempo chillout, via Lab4’s excellent, roll-back-the-years NRG track, Moving To The Beat.

edit: I’ll blame posting rustiness for not mentioning something so important yesterday, but LL has announced that Qygen’s Crystal Cave will be his last freeform track. Talk about another huge loss to the scene, though the signs are that he’ll make a return to music of a different sort in the future.

Not really a release you can afford to miss, I’d say – it’s set for the end of June, but preorders are open already on the Lucky Lotus bandcamp and bigcartel sites.

The mining for Romancer mixes continues, uncovering a classic, almost decade-old COGI set that I thought had long since disappeared. This is a short (and through the mic again, I’m afraid) recording from NRGetic Romancer’s 4th anniversary, right around the time that COGI was experimenting with various configurations of dark psy and freeform.

He fits a lot into the 35 minutes, starting with Void Of Farthest and ending on Cosmo and OSOM’s Instrumental, via some really interesting transitions. The Epyx & Cyrez remix of Hanuman Visits Lanka was always one of his favourite tracks, while he does very well to shenanigan a mix between Ultimate Protection and Invitation. It’s a superb, if short set that brings back some very fond memories, and I hope the rest of you enjoy listening back as much as I have.

I’m sketchy on the three (?) dark psy tracks in the middle of the set, but here’s what I’ve made of the tracklist so far:

01. Hase vs Psyfix – Void Of Farthest
02. Twisted Freq – Hanuman Visits Lanka (Epyx & Cyrez remix)
03. ?
04. ?
05. ?
06. Carbon Based – Utimate Protection
07. Alek Száhala – Invitation
08. Cosmo vs OSOM – Instrumental