USA

The final Lucky Lotus online event has begun, and fittingly it’s the biggest so far with another very strong lineup.

Despite the lack of fanfare here you might even have noticed my name on the flyer once again – I’m very happy to be appearing with Shimotsukei for another back to back set. The timing wasn’t ideal (TYFTH hasn’t been in hibernation for nothing), but we’ve somehow come up with one of our best sets so far, running for a almost-silly 2 hours and 20 minutes. Hang in there for the whole thing if you can – it’s thanks to Shimo’s efforts that this all came together so well, while I tried to do my bit with more variety than I’m usually known for. It’ll be broadcast at 11:12-ish pm JST on Saturday, with both of us likely to be in the chat.

There’s a lot to look out for over the other days of the festival too – I’ll copy the full timetable below, but check the Facebook event page for full info. First glance highlights for those of a TYFTH persuasion might be Byproduct, Lab 4, Lv.4, Orphic, and Solvynt, with a lot of non-freeform names to make time for, too.

 

Timetable is in EST (-4 GMT)
Thursday
4:00 Vermillionaire
4:54 Slax
5:40 DJ Buttbaby
6:13 Debisco
6:58 mizu
7:42 Power2All
8:14 DJ D-Tor
8:49 Daniel Seven
9:49 DJ Neon
10:48 hyleo
11:30 W.T Snacks
12:29 CHZK
13:12 D-Luc-D
14:01 Komrad Zerokusu aka Neodash Zerox
15:00 Velatix
15:51 Furystomper
16:36 Drop Team Epic
17:36 E*Tank
18:09 Tamerax
19:05 DJ COSMiXXX
20:03 Audio X
20:47 Jampers&nd
21:48 Galaxy Kid
22:47 SecretC
23:16 diSKo Matic
00:08 END

Friday
6:00 撲殺少女工房 (Bokusatsu Shoujo Koubou)
6:44 Nadesicore
7:32 Tomatoism
8:16 12_1
9:00 Jadeabella
10:03 sabi
10:33 Solvynt
11:19 Coakira
12:04 Byproduct
13:00 DJ Amaya
13:59 DJ Stretchmark
14:44 rainy☆
15:39 Adinga
16:11 Fracus & Darwin
17:10 r_CREαт:FθсвеT
18:20 DJ Genki
19:20 DJ Speedycake
20:20 Nakura
21:20 STuwu
22:19 KyuubiRaver
22:50 Alaguan
23:50 END

Saturday
5:00 Chibby
5:30 Tomoyu
6:13 かたぎり
7:11 TamolarM
7:56 S3RL
9:12 Plasmadancer vs Shimotsukei
11:33 Noizenecio
12:18 Xavi BCN
13:17 quad (luvtrax)
14:17 Jennifer Walton
14:45 Lolistyle Gabbers
15:33 Jimni Cricket
16:32 Aki
17:32 TakeBakaShit feat. MC Otaking
18:36 DJ Melancholia
18:58 JAKAZiD
20:03 DJ4X
20:35 FlapJack
21:35 DJ Archari
22:05 Zovi
22:25 The D
22:56 Ranzor
23:34 END

Sunday
6:00 Capchii
6:59 Nishimura
7:45 Abitan
8:45 h11ky
9:17 LV.4
10:17 XIO
11:16 Lab4
12:16 Foxyun
13:21 DJ Liet
14:21 Ori Uplift
15:22 LOLIPO
15:46 DJ Reflection
16:14 4nzu
16:45 DJ Jo
17:29 DJ Akatsuki
18:15 Goreshit
19:00 DJ Virus
19:45 Archefluxx
20:30 Rob VanWest
21:31 -AUS-
22:15 Gabberbone
22:45 DJ Tenshin
23:18 Chia
23:49 Makobeats
00:08 END

Monday
6:00 DJ Taku
6:29 Raul Ivalo
7:28 YUKIYANAGI
7:58 Liteblue
8:29 Takuya Angel
9:33 android52
10:19 96-glass
11:04 MaidenV
11:39 CheezyP
12:39 MesoPhunk
13:24 Round Wave Crusher
14:23 Riku Namako
14:53 ViolonC
15:53 Illumize
16:40 hiero.
17:30 Kishuni
18:00 Sephi Hakubi
19:00 Orphic
20:01 Vau Boy
20:47 Noc.V
21:32 rainyrhy
22:32 WK9
23:02 Kuro
23:48 pea_txt
00:49 AFTER PARTY BEGINS

Some housekeeping for the comeback post, as In Praise of Shadows is available again via the bigcartel page. Of course it was offline for a while during my Europe wanderings so that potential orders weren’t on hold for a month and a bit, rather than having sold out. Although the compilation has sold repectably by recent (or 2016) standards, the print run was closer to 2007 golden era numbers, meaning there’s plenty of stock left. That also means, sadly, that there’s a long way to go before costs are recouped, but as a labour of love I’m not so worried about that part. Financially idiotic or not, I’m glad to have kept the quality bar very high for all aspects of the release.

Anyway, I thought I’d also use this post to say a massive thank you to everyone who has ordered so far. Even this year there has been a small but pretty steady flow of orders, which is especially amazing considering my lack of action here or promotion elsewhere. The compilation has now found its way to 18 countries, and I can’t tell you how inspiring it is to imagine it being played around the world. A second release might only be wishful thinking at the moment, but keeping the TYFTH sound alive in some form or another is I hope a decent way to start repaying you for the support so far.

Even with a lot of catching up to do after recent weeks this guest set for Hardcore Junglists United by Shimotsukei has remained top of the to-post pile. Definitely the best I’ve heard from her in a long time, this is one of those sets that was obviously a labour of love and manages to bring together just about all of my favourite freeform elements.

I’d roughly divide the set into three sections, as things start with a very aggressive and genuinely dark opening, followed by some more melodic, uplifting tracks and a finale that makes a decent fist of blending all the previous styles. That opening is quite the thing though, setting a tone that Shimotsukei does a quality job of never straying too far away from. The mixing throughout is excellent, very rarely overdoing things and keeping it simple when longer transitions wouldn’t really work out.

If you can ride the wave successfully, mixing the aggressive filters of two different tracks does wonders for the atmosphere and can give a lot of flexibility in terms of which tracks you use. That proves to be true here at least, with combos like Kadotettu Todellisuus 2009 and Fear Myself working out incredibly well – other highlights might be Adversary – Reign of Terror, and Attacker – Daemons, even coming from a listener who usually struggles to get into Lost Soul’s tracks.

There’s a lot more going on here though, including a fine section of Tyranoid/Strongstream transitions and the mid-set use of Raindrops. It hasn’t shown up in a mix for a very long time, but Nightforce’s melancholy breakdown is a lovely choice as a set centrepiece. Personally I might have slightly shortened the melodic section pre-Attacker, but that’s present-day PD speaking and for many I expect it’ll be a nice break from all the aggression. Even having said that, the limited use of vintage Substanced and only one Transcend track shows that Shimotsukei was clearly going for an atmosphere that wasn’t stretched by too many different styles of melody. Really impressive stuff.

The lack of Alek/Nomic/Betwixt means it isn’t quite the grand tour of the scene you might be expecting in two hours – instead it’s a simply superb set that flows as well as any I’ve heard this year or last.

There’s more Shimotsukei to talk about soon, but before that a quick mention of this three (!) hour NRG session that ticks plenty of the TYFTH boxes. Although there’s already an endless supply of recordings on Shimotsukei’s SoundCloud, it really does add to the enjoyment of live sets when you can see what’s going on. Plus in this case there’s the very helpful overlay to answer any tracklist questions and a pretty lively chat that’s worth keeping an eye on.

If NRG’s your thing then this really is an essential listen – it’s very likely you’ll hear some forgotten classics as well as some more obscure selections. As things move into freeform territory it’s also a good chance for fellow DJs to check a few Before the Dawn tracks in a (well) mixed environment

Yet more release announcements, this time for the huge, freeform-only Lucky Lotus compilation, Before the Dawn. I can’t the only one who’s been hoping for something like from LL for a while now, and this is a high quality cross-faded preview. Also an impressive tracklist, with some veterans anchoring things in amongst the new faces and a lot of Japanese representation. I haven’t heard the full tracks yet, but going on this preview and others I’ve heard Kounta Kulture’s Cannibal Girl might be the most immediately promising. Definitely looking forward to a leisurely listen of the whole release, though.

The other good news is that the compilation will be released in little over a week via the LL bandcamp – the official date is 10th March.

A very last-minute notice here that a winter edition of Hellfury’s Hardcore Bash online event is starting today. Although there’s less than usual to pick out on the freeform side, I’d like to point Horsers in the direction of Hyphen’s set tonight at 19:00 (GMT), followed directly by Shimotsukei. Watch out too for Hellfury himself playing first thing tomorrow – ideally with a freeform set but either way it’s great to see him back.

Last year was much heavier on releases than we might have expected, resulting in a decent number of sets that tried blending old and new. Even if there were fewer ‘dark side’ DJs doing the rounds in 2017, there was a lot to enjoy and making these final choices was quite a challenge.

1. Shimotsukei – Future_Proof Sounds mix series 005

Shimotsukei has been single-handedly propping up the scene during its quieter spells – it wouldn’t have been that hard at all to pick a Shimo-only top 3. This set for Future_proof is my choice though, thanks to its more considered, ‘studio’ feel than her (still generally top class) twitch sessions. Some of the strongest Shimotsukei mixing of the year can be found here, as well as a quality structure that’s sparing enough with the melodies to make for a very welcome, darker set. Make sure to hang in there for a really excellent final third.

2. Solvynt – Lucky Lotus Online Electronic Music Festival 7

Most ambitious set of the year was definitely Solvynt’s Lucky Lotus submission, with the strongest tracklist you could possibly ask for. Melding some of the trickier tunes isn’t always successful here, but when it works, it really works. Perkele! into Shine remains the best transition I heard last year, and there are many other highlights to look out for.

3. Substanced – FINRG PODCAST 003

Third spot was a close-run thing, but in the end I went for Substanced’s masterclass in how to mix newer freeform with the old. Understandably heavy on his own, newer productions, the way they blend with a couple of classics is an encouraging reminder that the FINRG spirit is still very much intact. Some of the strongest mixing of the year, great cross-scene promotion, and hopefully a sign of things to come in 2018.

Honourable mentions

Hedonistik Ritual, Carbon Based

Presumably we’re all familiar with Blue Revolver, 2016’s fondest of fond tributes to the modern(ish) shmup? I usually manage to restrain myself from too many game-related posts here, but BR sneaked through thanks to Wyrm’s sound design and a pretty remarkable OST from Qygen. Plus of course there was the excellent collection of remixes, including the return of ikaruga_nex and some lovely stuff from Hyphen – the game itself’s a must-purchase if you’re even slightly into the genre, but at the very least you need the soundtrack, which was comfortably one of the best freeform releases of the year.

Black Label is a CAVE style rebalance/update of the mechanics and frontend, with a genuinely interesting list of new additions. What’s bolder though is an arranged version of the soundtrack, wisely deciding not to try out-freeforming Qygen and instead taking things in a more conventional soundtrack direction. Exemia and Hagane are nice choices for remix duties (especially after Exemia’s quality work with Aerolith Aurorablast), and Hagane’s lush, breakbeaty take on Qygen’s tracks is sounding very successful so far. Black Label will be appearing in January next year.

Although it goes without saying that Shimotsukei’s SoundCloud (and especially the recent artist mix series) should be a regular destination for all Horsers these days, I couldn’t let this one pass by without comment. The difficulty of mixing Alek Szahala’s tracks together might be one reason for so few Alek-only sets over the years, but this two-hour epic is a mighty impressive effort.

As with many of Shimotsukei’s streamed sets this was put together with very little planning, which immediately gives it an extra dose of ‘live’ energy. The drawback of that approach is fewer standout transitions – a shame as that’s something I was really looking forward to in a set of this importance. That’s not to there aren’t any, mind, and the set’s atmosphere is shifted around very skilfully from start to finish.

Nine out of ten freeform DJs would recommend starting an Alek set with Tigris, and why not? It’s still one of the very best intros of all time, with enough darkness and melody to link nicely with a variety of other tracks. Here it’s Invitation – a solid transition to start, but it’s not until Ihme Juttu – Ziggurat that the mixing really picks up. That’s quickly followed by what might be the transition of the set, as Mermaid unexpectedly moves into Ngarnuuk in one of those high bpm mixes that Shimotsukei is so good at.

From that point it’s more about the excellent selection than anything else. There are a few wobbles here and there, as Heaven N Hell and Comet Catcher clash, while the following melodic tracks aren’t always comfortable mixing into each other. Much better is the Lagash – Chimaera combo, an effective transition that doesn’t overdo things while nicely altering the atmosphere. Things are really rock solid from that point – Last of the Mohicans into Icy Clouds is one I enjoyed, before the manic finale that you surely knew was coming.

A couple of omissions aside, this is a wonderful set that covers all era of Alek in a very different style to his own live PAs, and (as if you needed one) a great primer on Alek’s sound.

I’ll hijack the post before I go – it’s actually been in the back of my mind for a while to do a new Alek mix (my second, strictly speaking, as my first-ever recorded freeform set in 2006 was Alek-only), and this might be the kick I need to finally give one a go next year…

Now this here is an overdue post – and yet it now turns out to be something of a hopeful preview of things to come. Sherkel’s no stranger to any visitor to TYFTH, but after gophering away for years on his own productions it’s surely time for a post to help them be heard more widely.

Since the upload a year or so ago of Night Falls, a full mixed set(!) of NRG and freeform experiments that had some very promising moments, Sherkel has hit on a incredibly distinctive style that takes his melodies in a (slightly) more conventional direction and pairs them with an unbelievably accurate take on elements of Einhander’s sound. That second bit really is something, somehow nailing not only the trademark Einhander lead sounds but also his filtering techniques. For good measure a number of Sherkel’s tracks also emulate Einhander’s percussion style, as heard in Yarai, my choice to headline the post.

Yarai‘s melody is a rework of a Pokemon OST but still has the distinctive Sherkel style – I can’t stress enough how impressed I am to be describing such a new artist’s productions (or pretty new to NRG, at any rate) in those terms. That incredible filtering gets a run out here, and the track is a fine example of Sherkel’s work post-Night Falls. You might also notice that Yarai is already nine months old, but happily there has been plenty of progress since. edit: The version at the top of the post is now the updated, full length track from January. More recent tracks have definitely upped the level once more, giving me hope that at least some will be completed and online before too long. A Night Falls 2 would already be an impressive set.