Slightly belated notice of a new(ish) set from me and Shimotsukei that went online recently and was part of Lucky Lotus 6 back in June. We decided to make things more interesting than the usual ‘one half each’ setup and try a more aunthentic back to back, alternating every few tracks. It all came together far easier than I was expecting, and there are a fair number of rarer/unreleased tunes amongst the classics.
Big thanks of course to Lucky Lotus and Shimotsukei for such a nice opportunity to take on something different, and I hope we’ll have a chance to give this another try in the future. Tracklist is below, and the set is downloadable on the FINRG SoundCloud.
01. Tyranoid vs Strongstream – Spice／Epice
02. Epyx & Cyrez – Game Over (Tyranoid/Strongstream Remix)
03. Epilim – Rapid Fire
04. Carbon Based & DJ Rx – Reptile
05. Pain On Creation & Fea – Unconsciousness
06. Epyx & Cyrez vs Fea – Untitled 4 Evah (Unfinished edit)
07. Nomic – Neptune
08. Alabaster – Galaxy
09. Re-form – Cyanide
10. Epyx & Cyrez – Neverlasting
11. Le Dos-on – Rising Sun
12. Proteus – Venla
13. DJ RX – Hellfire
14. A+D+A+M Lab4 – Psychopath
15. GULD – Hannya 2
16. VICE TEK HEAVY INDUSTRY – 3M3SIS
17. Betwixt & Between – Matsukin (Remix)
18. Nomic – Mutantit
Lucky Lotus 6 was very high on quality, and I’m still working my way through a few of the sets from the event. So far my favourites have been Nomic and Solvynt, two distinctive sets that did a fine job representing freeform.
Nomic’s hour won’t disappoint – it’s one of the nicest balances of melancholy and harder stuff that I’ve heard for a long while, while the WIPs and new tracks mean there’s plenty for Nomic veterans to check out, too. We have to mention the opening, of course, as the third part of Falling Star is an absolutely beautiful track that does more than enough to distinguish itself from the ’08 version. Watch out for new track Shattered, as it starts a very classy section from there to Black Lotus, before the traditional harder finale, this time of Leave Me Alone / Mad Man and Holocaust.
Solvynt’s set comes at things from a DJ angle, and so in my book the transitions, selections and ‘story’ of the set should take centre stage. Right from the start it’s clear that Solvynt has kept that in mind, as the Superstition – Purple – Tendrils of Reality combination is about as good as you’ll hear anywhere. There’s a lovely flow to it, from the psychedelic darkness to the way things build up to the harder stuff with Tendrils, and if things had maintained those standards for the entire set we’d be looking at an all-time classic.
Easier said than done (and I certainly don’t think I’ve ever managed it either), but even when the flow is interrupted slightly the tracks themselves are high quality choices. It’s from Brionac, though, where things get back into top-level territory and the kind of twisted atmosphere that’s so hard to get right with freeform – that move into The Ghost of Jupiter is great, followed by some superb use of Nomic and Pain on Creation. Unicorn Grove signals a classic Alek/Betwixt finish, a nice way to end a very impressive hour.
Time for a respectful tip of the hat to Shimotsukei for one of the finest sets so far this year. As you’d expect, Shimotsukei covers all the TYFTH bases from twisted synths to melancholy, moving between Japanese and Finnish sounds with some very high quality mixing.
The set fits a huge amount into two hours, but the careful arrangement of Hase and Pain on Creation tracks was what first caught my ear – the two of them really are leagues ahead when it comes to the filters we all love. The problem then becomes how to blend their tracks with the rest, and the first third of the set does a superb job of running through NRGetic Romancer friendly NRG in as smooth a style as you’ve ever heard. I often wince when I hear promos being shoehorned into a set for reputation’s sake, but well played Shimotsukei on the use of Disintegration – that combo with Eternal Cannon is one of the moments of the set, and more than worth waiting for.
In some ways it’s a shame the set isn’t shorter/split in two for these sections to be completely self-contained, as the move into the second half features some great old and new selections but lacks some of the smoothness of the opening. Often comes with the territory when mixing freeform, but there are still some very nice moments, like an especially ferocious combination between Freeform Mercury and Silver Cube.
A look at the tracklist should be enough for most TYFTH readers, but as in all the best sets, the transitions add a lot to the atmosphere and make this far more than just a roll call of classics and promos.
Long overdue, like a lot of posts these days, is a heads up re. CODEX7. Arriving in September, this looks to be another quality event of freeform and NRG, but this time with an additional psychedelic floor with ChankoDiving headlining.
On the freeform side we have some great guest bookings in the shape of Evolutionize and Nu-Energy veterans Digital Commandos. I have high hopes for Evolutionize’s set, and finding myself on the lineup once again I hope to contribute a bit of darkness, too. It looks as though GULD has become a semi-regular CODEX member, and his set will raise the level that bit higher, as always.
This time I’m slightly sad to see that the venue won’t be R-Lounge, but Circus Tokyo is the recently refitted incarnation of amate-raxi and it’ll be interesting to see what has changed. I have heard talk that there will be a selection of CDs available at the event (maybe even including you-know-what), so stay tuned for more info on that as well as timetables and the like.
Evolutionize from USA (Smiling Corpse)
Digital Commandos from UK
Main floor DJ
Alabaster (Cradle to Grave)
Hyphen (Splash Energy/SOLIDBOX RECORDS)
NONAKA+CHIN (SPREEMO / Freeform Bros)
PlasmaDancer (TYFTH/FINRG Recordings / NRGeticRomancer)
raqhow (CODEX / Freeform Bros.)
Psychedelic Floor DJ
jube (Peace Day&Night)
TAK666 (Cradle to Grave)
Viral Program a.k.a 6th (Illigal wave Records)
yo5hi9 (Digital Om Productions/Wing Makers)
VJ ALE (RisingGENERATION / deeepa)
A brief pause in the manic TYFTH self-promotion to mention another great looking release that’s rather more immediately on the way. Evolutionize’s solo album has been in the works for a long while now, but will be releasing tomorrow (15th July) on Smiling Corpse.
I expect Smiling Corpse will be the place to keep an eye on tomorrow, but for now there are plenty of preview clips to check out and a promo mix by Dyzphazia. Evolutionize’s hyper-aggressive, Finnish-influenced sound works in almost any set, and the album looks to have a huge amount of variety. Personal favourites right now are Yolvenvur and Provisional Unit 05, which you can hear in the playlist above.
A little last-minute, but Shimotsukei and I will appearing this afternoon on the Lucky Lotus Festival at 15:10 GMT (00:10 JST). S3RL will be up before us, while Lab 4, Guld and Morita Yuuhei will be coming later. The festival is already in full swing, and with Evolutionize and Byproduct also playing towards the end of the day, Saturday looks to be a great one.
I’m going to do my best to be in the chat for our set, and as things have been pretty quiet here lately it would be lovely to catch up with any Horsers in the vicinity. See the next post for some In Praise of Shadows info, but it’ll also be worth tuning in today for a preview of something that’ll appear on the album.
My first set of the year will be next month, as I’ve very kindly been invited back to join the freeform contingent of the Lucky Lotus festival. With things being a bit fraught these days I haven’t had time for a full set’s worth of prep, so instead I’m really excited to be putting together a b2b with Shimotsukei. We’ve started work on it and already there are a few surprises in store…
The rest of the event looks like the best LL so far, with a fabulous roster on the freeform/NRG side. Nomic, Alabaster, Guld, B.R.K., Lab 4, Raqhow, Hyphen, Evolutionize, and Solvynt – you couldn’t ask for much more than that. Other highlights would be a new Byproduct set, Dark by Design, and a very rare recorded set from Kanon.
The facebook event page is the place to check the full lineup and eventual timetable info, but we’ll of course find room for it here too, as and when.
It’s a bit of an injustice that Midas hasn’t had more mentions on TYFTH, as he’s been doing a brilliant job over the years of sneaking Finnish and Japanese sounds into his sets, both online and around the UK. In fact I wouldn’t be at all surprised if some of the UK freeform crew have Midas to thank for their first exposure to FINRG.
You won’t often hear Wizbit and Alek Szahala in the same mix, but Midas was on top form for his recent-ish Freeformaniacs set, deftly negotiating his way from nutty breakbeat hardcore to some classics of the darker side. I’ve been known to dabble in breakbeat hardcore myself, and it’s hard to resist some of these throwbacks to the amen-heavy mid-nineties, especially when mixed this well. Some teeth-gritting might be needed through the tracks that start sounding a bit too nu-skool, but we’re soon into some of the best of current UK freeform, including Transcend’s excellent Candyman remix.
Midas has often pushed the Hybridize era nasty-but-melodic sound, and here it works as a nice bridge into the darker final section. Morokai, Fluorite, Icy Clouds, Alchemiist’s Pain remix – you really couldn’t ask for a much better selection if you’re looking to introduce folk to our side of things. Quite the journey of a set, and one that’d easily grace the peak time of many a UK event, I reckon.
Label shenanigans are maybe one instrument too many for the TYFTH one-man band, but the past month has seen a lot of quality mixes and I’ll be highlighting a few when I have the chance.
First up is Cuedy’s recent Freeformaniacs set – an hour of standard-issue TYFTH-friendly tracks (which is a very good thing), punctuated by two or three really nice transitions and a couple of tracklist surprises.
Obvious shouts to Cuedy for starting with Betwixt & Between’s Eternal[l]y, followed by a really good connection in Alchemiist’s Pain remix. The rest of the set alternates between nastier filters and melodic interludes, and I was glad to see that classic tracks were given special attention in terms of transitions – we’ve all been listening to them for so long now, they really should. Eryk Orpheus’ Pyjama Sonata was a nice follow up to Supriya, while Alabaster’s Flamberge was the big surprise of the set. It was the final connection that really got me though, as the slightly chaotic blend of filtered riffs from Xerosis to Super Sonic shows off the older FINRG sound at its finest.
It’s always nice to see DJs in the freeform scene take the step up to production, and this time it’s Shimotsukei who has braved the divide with a fine debut tune. Working with hardcore producer Archari, his first track is a remix of a past Pokemon movie theme, but has more than enough elements to make it something distinct.
An understandable stumbling block for a lot of new producers (especially these days) is the inability to sound ‘authentic’ enough, or match the production levels of the established crew. The Guardian’s Song has little trouble here though, and to my ears has a little bit of the Hyphens about the acid and percussion. Plus of course the main theme is brilliantly chosen – even if the sample use is ever so slightly overkill in the main break it easily ticks all the boxes for the melancholy junkies in the audience.
What a great starting point then, and hopefully it’s an inspiration to others on TYFTH to take up the DAW and make a mark on the scene.