A slight change of pace to highlight a fine set of NRG from Unknown Kill producer Risa. I really have to be in the right mood to enjoy this brand of NRG, but this was definitely a tracklist to catch the attention.
NRG has to be up there with schranz as one of the easiest genres to mix, so here the focus shifts to selection over elaborate transitions. Risa keeps things solid but basic, allowing the tracks to play out in their entirety – as some of my favourites like No God and Oblivion are in here that was no bad thing.
The end of the set alters the atmosphere slightly with a sequence of Asylum tracks, nicely leading into Take Down as the finale. Risa missed a trick for a more manic finish (as Shogun seems to be in the same key), but who knows, a change in the mixing style at that late stage might have sounded out of place.
A tracklist that has had obvious influences on Risa’s production, this is a fine set and should be required listening for those into the grittier side of the genre.
Here’s one of the main reasons it’s been a bit quiet around here recently – fitting a set around Other Things these days isn’t always easy. No way I was going to turn down a chance to contribute to the FINRG podcast series though, so here’s my first full freeform set since the In Praise of Shadows mix.
Lately I’ve been thinking a lot about how it wasn’t only the dark, melancholy atmospheres of freeform that initially attracted me, but also a strangeness that I hadn’t really heard anywhere else. Play tracks like that in a club setting and you have the other-wordly atmosphere of NRGetic Romancer, of course, and so this set was an attempt to capture some of that with a tracklist of slightly less common tunes. The key was to avoid throwing in unusual tracks for the sake of it, as well as putting the usual effort in to construct a cohesive whole.
To that end I built the set around three main sections, resisting some old, obvious transitions in favour of keeping things headed in the direction I wanted. Hence the use of Twisted Freq early on, and a pretty basic introduction of Godd, for example. I wasn’t desperate to use promos here, but it turned out that GULD’s little-heard City of Solitude remix and Re-form’s Intro both fitted in nicely. Alabaster’s Awakening remix is still under construction, but this is the latest version and not too far from completion (and used with permission, obviously).
The 2023 remix was supposed to mark the big finale, which is probably my favourite part of the set. I’m quite pleased with the shift in atmosphere from there to Blackmailer, then into the Alek-Mellow Sonic combo. Those two beautiful breaks threaten to bring a tear to the eye every time, and I was hoping the contrast with the rest of the set would make them sound even better.
As always there are things I’d like to improve, but having already spent an outrageous amount of time planning this one the deadline was probably a good thing. Hope everyone enjoys it!
There’s more Shimotsukei to talk about soon, but before that a quick mention of this three (!) hour NRG session that ticks plenty of the TYFTH boxes. Although there’s already an endless supply of recordings on Shimotsukei’s SoundCloud, it really does add to the enjoyment of live sets when you can see what’s going on. Plus in this case there’s the very helpful overlay to answer any tracklist questions and a pretty lively chat that’s worth keeping an eye on.
If NRG’s your thing then this really is an essential listen – it’s very likely you’ll hear some forgotten classics as well as some more obscure selections. As things move into freeform territory it’s also a good chance for fellow DJs to check a few Before the Dawn tracks in a (well) mixed environment
I’m slow (of course) to mention the most recent FINRG podcasts, but even if you’ve heard them before they’re well worth a revisit as DJ case studies.
Listening to these sets you can hear right away what freeform means to each DJ, with both featuring some similar tracks as part of two very different atmospheres. JNKS’ 64 minutes goes from happy/UK hardcore to some solid gold FINRG and back again, while Alchemiist plays some surprisingly melodic freeform, connected to neurofunk and hardcore by a few darker oldies.
JNKS’ selection is spot on, with a huge number of later-era happy anthems (including remixes to keep veterans of the early 90s happy), while the potentially hazardous transition into the FINRG section is very nicely handled. You really can’t beat the gritty sound of tracks like Killer Instinct and Illuminate, and of course it’s nice to see the obligatory Alek appearance.
Alchemiist’s steady progression into the non-freeform final third is just as well handled, but the standout section of the set was a more conventional one. I might prefer the original PVC, but the transition from Ghost of Jupiter into Lost Soul’s remix is still top class and a worthy centrepiece to the set. Absolutely lovely stuff.
Both essential listens then, as is the entire podcast series so far.
This was the first of Hedonistik Ritual’s live sets that I was able to catch for quite some time, but even a quick skim through should be enough to convince you that this one deserves a proper listen. Stretching a full two hours, it’s another one of those mixes that really shows what HR is all about.
Some harder UK tracks alongside plenty of rock solid Japanese and Finnish classics make for a really nice atmosphere, while the excellent use of some happier vocal tracks add another surprise element. In the wrong hands that could be the recipe for a right old mess – that this set works so well speaks to some high quality selection and nicely judged mixing. Finish things off with subtle effects and mic use for that live feel, and you have a streamed set done the right way. Check out the set on Youtube, along with the past Hard Tranceformers shows.
Heartfelt thanks to everyone who made it to the inaugural twitch stream, especially after social media did its best to keep people away. Even the last-ditch Facebook posts on the day were being hidden away, which wasn’t much help to the mostly European crew who had shown interest in the cancelled edition a few weeks ago. Lesson learned though, and from now on I’ll be relying more on here, lesser-of-two-evils Twitter, and twitch itself for announcements. Special thanks to the Japanese crew and TYFTH regulars who managed to find their way to the stream, it was utterly great to see you all.
I have uploaded the video for anyone who missed it though, with some very minor edits to cut out the soundcheck and some silence at the end. I was tempted to go down the titles/captioning route to spruce up the presentation a bit but that’s possibly going a bit far for what was supposed to be a pretty casual set.
In the end we made it to just shy of two hours, which was quite a surprise. I hope everyone enjoyed it, and if I seemed slightly subdued it was mostly thanks to having to keep more of an eye than usual on some new technical stuff. I tend to be as much of an arm waving loon during practice at home as in the club but didn’t want to hit one of the four screens I was surrounded by…
Anyway, the set was great fun and was reasonably on-brand for me considering it wasn’t planned to the usual extreme degree. I’ve noticed that winging it completely doesn’t really work as the transitions will be shorter and/or less interesting – too many of them and it starts to sound less and less like one of my mixes. Dug my own grave there, it seems.
Finally, I was glad to see the visuals went down well with everyone. What with it being a twitch set I really wanted some way add some visual interest and a live, interactive feel, and this seemed a pretty successful first try. Might be an idea to lower the room lighting next time for that authentic, cramped club vibe.
Stay tuned then – I’d like to manage one of these sets each month, but it’d be nice to stream some practice runs and other genres in the meantime, too.
01. Turmion Katilot – Verta ja Lihaa (Proteus Mental remix) 02. Lab4 – 4 Those About 2 03. GULD – Nightmare Freak (2009 remix) 04. Lab4 – Candyman (GULD remix) 05. Marilyn Manson – Resident Evil (J-Gear bootleg remix) 06. GULD – Hannya (Android Lime remix) 07. Lab4 – Perfect Drug 08. Hatsune Miku – Senbonzakura (GULD remix) 09. Alek Szahala – Ziggurat 10. Zio – Hell’s Gate (PlasmaDancer remix) 11. Alek Szahala – Dryad Machine (GULD remix) 12. Morita Yuuhei – Redemption Song 13. Cyrez & Sam One – Reboot the System 14. GULD – Gozenzeuna 15. Twisted Freq – Rougher Than You 16. Alek Szahala – Caballo 17. Betwixt & Between – Surendrajit (2011 refix) 18. Nomic – Rule Breaker 19. Betwixt & Between – Like a Flame 20. Nomic & Pain on Creation – Make Me Real 21. Eryk Orpheus – PVC 22. Proteus – Venla 23. Proteus – Venla Part 2 24. Cryobiosis – Serenity
A quick reminder that the rescheduled TYFTH twitch stream is happening tomorrow, which might be especially necessary as our old friend Facebook is limiting visibility of yesterday’s announcement. The set will definitely be longer than the usual event appearances but I’m not sure by how much – I was trying out a few mixes yesterday but I haven’t got a fixed tracklist in mind. Let’s say longer than one hour but probably less than two.
This’ll be a test run, but I’ll be aiming to iron out any sound issues and tinker with the visuals for a few minutes before the official start time. I’ll do my best with the multitasking to keep an eye on the chat, and it’ll be great to see anyone who’s able to stop by.
As I’m danger of falling behind recent big announcements I’ll break with tradition and catch up with a few of the main ones in a single post. Good training for the hopefully regular appearance of some longer writing on the site this year, too.
Heading the post is the opening track from Proteus’ upcoming artist album. Rather than NRG or anything like it, instead this sounds very much like something that could have appeared on Platipus back in the day, which is of course high praise. The second track, Gute Nacht has also gone online and shows a more familiar darker style – if the previews maintain this standard then it’s going to be quite the release. Plus there’ll surely be some older-school, pacier tracks in there somewhere.
Possibly the biggest freeform announcement is the recent release of Future_Proof Sounds’ second compilation, a strong collection of tracks with Japanese representation from Hyphen and Kokomochi. Kokomochi’s If Not Machine has shades of ikaruga_nex and is a fine follow-up to Iron Sky.
We’ve also got another label entering the scene in the form of Skeny Tracks – it might lean towards melodic freeform and UK hardcore but the first release Retrofuture features a really impressive selection of newer artists from around the scene. Hyphen’s here of course, but watch out too for Sanaas’ Beastout.
Finally for now is an excellent hour of mixed tracks from BRK. Featuring a full tracklist of his own material plus a solitary remix, this is quality stuff and another clear step up for his productions. The collab tracks with GULD and NEON give the set some welcome variety, while Kaos Lodge is one of his strongest tracks for some time and a well-chosen finale.
Last year was much heavier on releases than we might have expected, resulting in a decent number of sets that tried blending old and new. Even if there were fewer ‘dark side’ DJs doing the rounds in 2017, there was a lot to enjoy and making these final choices was quite a challenge.
1. Shimotsukei – Future_Proof Sounds mix series 005
Shimotsukei has been single-handedly propping up the scene during its quieter spells – it wouldn’t have been that hard at all to pick a Shimo-only top 3. This set for Future_proof is my choice though, thanks to its more considered, ‘studio’ feel than her (still generally top class) twitch sessions. Some of the strongest Shimotsukei mixing of the year can be found here, as well as a quality structure that’s sparing enough with the melodies to make for a very welcome, darker set. Make sure to hang in there for a really excellent final third.
2. Solvynt – Lucky Lotus Online Electronic Music Festival 7
Most ambitious set of the year was definitely Solvynt’s Lucky Lotus submission, with the strongest tracklist you could possibly ask for. Melding some of the trickier tunes isn’t always successful here, but when it works, it really works. Perkele! into Shine remains the best transition I heard last year, and there are many other highlights to look out for.
3. Substanced – FINRG PODCAST 003
Third spot was a close-run thing, but in the end I went for Substanced’s masterclass in how to mix newer freeform with the old. Understandably heavy on his own, newer productions, the way they blend with a couple of classics is an encouraging reminder that the FINRG spirit is still very much intact. Some of the strongest mixing of the year, great cross-scene promotion, and hopefully a sign of things to come in 2018.
Obviously I’d like to offer some huge apologies for cancelling the twitch stream at such short notice – and not even officially cancelling it here, as the couple of lines on Facebook were the very best I could manage at the time. Late on Saturday I managed to get some pretty severe food poisoning that put me completely out of action for a couple of days. An extra nice combo with the remnants of jetlag, as you can imagine…
Anyway, as the first set I’ve ever missed for any reason I’m pretty keen to make up for it ASAP. The plan is to reschedule for 10 days from now, once again at 19:00 JST. I’ll do some wider word-spreading nearer the day, but wanted to update everyone here first.
Before that I’ll be trying to catch up on a few things I’ve had planned, as well as continue with some minor and not-so-minor additions to the site. I’ve been thinking that it would be nice for TYFTH to do a better job of archiving and referencing info, both for Horsers and myself, so that’s something in the works alongside all these other posts I keep mentioning.