Big thanks as always for those who stopped by to listen on Friday, especially at such short notice.
I wasn’t on peak form this time, but it’s a nice reminder of how useful the streams can be to keep me sharp – in my defence I haven’t had much chance to play goa recently and had less time for planning during the week than expected. The plans are still afoot for another set this month, as there’s been something in the works for a while that won’t need too much extra organising.
Still, I’m happy with this short set and it’s now up on YouTube. A couple of the transitions were supposed to go a little differently (choosing when to switch up the bass makes all the difference, of course) and so I think I’ll try a rerecording for SoundCloud. Rest in the Light brought in quite a few goa fans over there and I’d like to upload something a bit cleaner than I managed the other evening.
Both YouTube and the rerecording will include seven rather than eight tracks, as Psy-H Project’s Active Meditation was really an encore of sorts, and I doubt Global Sect would be too happy about me distributing a totally unmixed track at the end of this set. Astrancer’s Neighbor is a lovely finisher anyway – it fits in very nicely with what I was going for this time.
The first of two sets this month will be tonight at 10pm JST. A little later to give me some wiggle room with other stuff going on today, this is (as you might have seen on Mastodon) a goa session on the melodic side. I do have enough planned out for a darker set too, but that’ll go on the back burner for now.
Although this won’t be an incredibly long set, it will be heavy on the deeper atmospheres with a bit of acid here and there. Something a little different for me to try this time then, and there’ll be some very recent releases in there too.
I’ve been quite busy lately with a few TYFTH-related projects that probably won’t appear here for quite some time, which is the main reason for the post count dropping again. Rather than draw it out even longer, here’s a rapid fire version of some of the SoundCloud recommendations I was meaning to get around to.
Top of the list for good reason is a new upload from Nomic – this time a recording of his 2017 Kosmos set. With the scene having quietened down since then we haven’t heard Nomic’s tracks too often, which might explain why this sounds so fresh. Featuring a wonderful as-yet unreleased WIP, this is a truly beautiful set that still manages to finish with some high grade aggression. Many of us have more time than usual to check out sets these days, but if you can only manage one for the forseeable, this is it.
Next up is my favourite of Proteus’ recent releases, his goa-influenced rework of Gute Nacht. For one reason or another I got some strong UX feelings from this one, so it was interesting to see Proteus shout out Kris Kylven in his track notes. Sadly it doesn’t really have the old school filteriness of UX, but there’s a nice mix of classic Proteus along with the other influences.
Erkenfresh’s Pleading to a Silver Moon wins points for sidestepping a variation on Lockdown/Quarantine/Contagion as a track title, while also excelling as an emotional, energetic freeform track. Absolutely something I would have put forward for Hybridize back in the day, this is very solid work that steps up plenty of gears in the breakdown. While I wish the drop had crashed in earlier, the filters and quality melodies make it well worth the wait.
Finally for now is Malice, a collab track between Alchemiist and Risa, releasing at some point on Drop Bear Digital. From the clip it sounds like the breakdown is the standout here, and while the drop doesn’t seem to do anything too out of the ordinary it looks to be a classic-styled NRG track that would slot into plenty of sets. This won’t be the first release on Drop Bear for either Alchemiist or Risa, so check out Beatport for others in the meantime.
Current circumstances seem to have been the trigger for a few DJs to return to mixing, happily including Asahi who was way ahead of the general Japanese curve a couple of weeks ago. This is much more of an industrial set than NRG, but not something you’re going to hear anywhere else and comes very recommended.
Asahi has nailed the Dark Dimension atmosphere, with some industrial anthems combined with Grimsoul (!), Lab4, and even Configsys PROJECT. I know from experience how hard industrial can be to mix, what with those unconventional structures and short intro/outros, making the construction here all the more impressive. Extra respect for the use of Resurrection, perfectly placed as an energetic centrepiece to the set.
Although there are a couple of wobbly moments in the second half that I’d put down to a combination of indutrial weirdness and Asahi’s rustiness, the selection’s still superb and they’re certainly nothing to worry about.
Give this a try, then, as even if you’d prefer more NRG it will very likely inspire a few new mixing or listening ideas.
01. god destruction – Across the light 02. Phyton VS Grimsoul – Phantom 03. Seileen – Lanmento della sirena 04. X SICKFREAK – Open Your Eyes 05. Cyferdyne – Cables and Codes 06. Lab4 – Resurrection 07. Alien Vampires – All The Fakes Mast Die(Benjamins Plaue Remix) 08. Hocico – Born to be Hated 09. Alien Vampires – Hell Descent 10. Reaxion Guerrilla – Sacrifice(Asinaptico Remix) 11. Aim＆Execute – Phantom Energy 12. T3rror 3rror – Domination 13. Configsys PROJECT – Ode To Charli
Thanks again to everyone who stopped by for the last stream – seems like this one caught some interest and there was a decent-sized group listening live, especially given the last-minute promotion. Listening back I’m pleasantly surprised by how well the set works, so this one has also gone up on the TYFTH SoundCloud. There’s a much bigger audience over there, for what turned out to be a nice ‘beginner’s set’ with plenty of newer tracks.
The initial idea was to build the whole thing around more melodic freeform, but it also ended up feeling a lot like one of my old school sets. They tended to mix up melodies and nastier tracks a lot more than I do these days, and it was quite refreshing to rattle through a new generation of tracks in that style. The Exit 133 – No Choice At All transition is one I’ve been sitting on for a while, tweaked a bit here but still a very welcoming combination that leads into the faster-feeling modern tracks. polaritia’s tracks were my go-to when I realised that I didn’t want things to head into ‘happy freeform’ territory – maybe it was mixing muscle memory that transformed the set into something I might have played at Hell’s Gate all those years ago.
Cannibal Girl was as fun to use as expected, and I have a feeling that it could become the Hellfire of the current era – very flexible and able to switch up the atmosphere of almost any set. Less planned was the choice of Rise From The Darkness, as I actually bought the track an hour before the start of the stream. I’d been scrambling for something to link with Facemelt, so that along with the breakdown’s nod back to Cannibal Girl made it a good choice.
The set was supposed to end with Zafkiel, but I was having such a good time I thought to carry on a little longer. SIBYL was a nod to Kokomochi in the stream chat, as it’s by far my favourite of his tracks, followed by Substanced’s remix of Cyclone. I’m yet to find a really good transition for it, which meant I didn’t feel quite so bad shoehorning it into the ‘encore’ slot.
There are still a fair few tracks on the more melodic side that I’d like to play, so it might not be a bad idea to switch things up with another set in this style before too long.
If you’ve been following the updates on Mastodon you will have seen this already, but the plan this weekend was to stream a short set of more melodic tracks while I continue sorting out ideas for the next ‘real’ mix.
Predictably though, I’ve ended up putting some time into this melodic edition and need some extra time to think about things. It’ll still most likely be on the short side, and will have a mix of newer and much older stuff – I’m just not feeling some of the really melodic/trancy tracks around these days, so it’ll be a bit of a middle ground. Although I expect a weekday isn’t as convenient for a lot of people, this one will also find its way to YouTube, probably a day or two later.
There are also plans for at least a couple of other posts to appear here soon, as I get back to things after an extremely busy February.
I’ve been keeping an eye on hardrng’s soundcloud for quite some time now, belonging as it does to someone we all know well at TYFTH. This third mix upload has to be the best so far, and some blinding work in the middle of the set makes it one that I’m happy to mention here.
The whole tracklist is very TYFTH-friendly as you’d expect, with a solid opening of Tendrils of Reality and Acid Maker setting up the atmosphere nicely. It’s the next transition that shows the ambition behind the set, as Kamsheen is teased in and out of Acid Maker. So close but not quite matching up, it’s a heroic effort and very nearly a killer combination. Frozen Abyss into Reboot The System, meanwhile, is an absolutely superb transition and a worthy centrepiece for the set, both selection-wise and for the quality of the blend.
Is it worth listening after that high watermark? Absolutely, as there’s an enjoyable shimmy around a few varieties of freeform in the second half. As always there’s something to enjoy in Lost Soul’s tracks, so that and the Substanced remix of Eons keep things on the darker, more technical side of this interlude into UK freeform. It was nice to see hardrng rein things back in though, and Aryx is always a good option to bridge the gap and reintroduce some depth to a set.
The finale is the other major highlight of the set, with a superb choice of atmosphere and smooth mixing. The echo of Fairytale’s melody in Morokai isn’t something I’ve thought of before, but it’s a lovely little trick, maybe even improved with the breathing room of another Lost Soul track in between.
One or two transitions could have done with cleaning up, but that’s a minor complaint in a really enjoyable set that also has me looking forward to the next.
This might be a busy weekend, but there’ll still be a TYFTH Live tomorrow as promised. Alas, it’s not the set I orginally had in mind, as I’m still hanging on for a couple of tracks to appear. Instead this’ll be that unreleased-only session I mentioned a while back, with me digging into the archives to play some bits and pieces that you might find interesting. What I’ve been aiming for in the limited practice time I’ve had this week is a set with plenty of surprises, while also sticking fairly close to the kind of style I like these days. Apologies in advance for any shonky transitions, it’ll definitely be more about the individual tracks this time around.
On that note, there are a few ‘secret’ tracks that might make an appearance, making this a good one to catch live if you can. The upload to YouTube won’t come with a tracklist, so feel free to play ‘guess that tune’ while we run through the set.
I’ll leave the video at the top of this post for now, but the TYFTH twitch channel is here, of course.
Long-time Horsers will remember Tokyo Hardcore Construction, the best harder event of the time alongside Romancer. Kanon was a big reason for that, and happily she seems to be a lot more active in the scene these days.
Hardgate 10 was a massive event held in November at Womb, with what even I can see is a dream guest line up – Art of Fighters, Meccano Twins, and The Sickest Squad. From what I can tell this is a shorter set than she played at the event, but it’s still vintage Kanon and even before I saw the tracklist on mixcloud I recognised a good few THC anthems.
01. Evil Activities- Back On Track
02. Nitrogenetics – Hit Me
03. Angerfist – Dortmund 05
04. Nosferatu & Endymion vs Viper feat MC Alee – Project Hardcore(Anthem Mix)
05. Knightvision vs Wedlock – Wayz Of The Core (Teaching)
06. DJ Weirdo & Dr. Phil Omanski – One Tribes Jam (Original 1998 Promo Remix)
07. Neophyte vs Stunned guys – Army Of Hardcore
08. Art of Fighters – Party Starter
Surprise little end-of-the-year reappearance here, and this might even be another one of those TYFTH returns to form. I’ve been playing around with a few sets lately, with the intention of finally streaming some short sets on a more regular schedule. Some might not be much more than half an hour or so, but at least that’ll be easier to do consistently. They could well include some of those old ideas like promo-only sets, other genres, that kind of thing.
For now, there’ll be a shortish set tomorrow as I ease back into things. This’ll be freeform on the darker side – which, as anyone who’s been keeping an eye on the scene lately will know, means a mostly older tracklist. The vast majority of the last run-through was based around tracks that I’ve never played anywhere before though, so at least it won’t be yet another rerun of me chugging through the old faithfuls.
Another post is on the way that looks at some recent(ish) releases, which will eventually make up for tomorrow’s lack of representation. In the meantime you’ll be welcome to stop by twitch tomorrow, or keep an eye on YouTube for the upload soon afterwards.
Thanks everyone who listened live – apologies for the trouble with the visuals, that’ll be sorted before the next set. The audio version is up on YouTube now though, and here’s the tracklist:
01. Epyx & Cyrez – The Lurking Fear 02. Pain on Creation – Ironworks (Gain Edit) 03. Kevin Energy & Proteus – London Helsinki Underground (Proteus Warcry 2011 Remix) 04. Epyx & Cyrez – Polar Energy 05. Nemes & Blender – Inquisition 06. Morita Yuuhei – Sadistic Form 07. RR-ThermalForce – Eternal Cannon (DJ Rx remix) 08. Twisted Freq – Releashed (Original Mix) 09. Alabaster – Galaxy 10. Chris de Burgh – A Spaceman Came Travelling (Transcend remix)