Only a week to go until this year’s Lucky Lotus, including my first recorded set of the year. Once again it’ll be a back to back with Shimotsukei, but this time with more of a freeform feel than our previous collab.
As always the lineup for the rest of the event is as good as you could hope for, happily with another good showing from the freeform scene. Names that leap out so far include Horzi, Hedonistik Ritual, Orphic, Alabaster, Solvynt, Decion, Byproduct and Alek Szahala, but as the festival runs for the usual three days it’s definitely worth checking the event page for updates and timetable info. Shimotsukei and I are scheduled for Saturday the 24th at 13:35 GMT.
I dread to think when the last post was – Life Stuff has meant some schedule juggling to fit everything in, and TYFTH has been suffering a bit as a result. Finally getting around to a few posts though, starting with the grand launch of Lucky Lotus’ CD compilation, Summertime Dreams.
The most significant news so far for freeform in 2017, this compilation has some very big names on board – Nomic, Qygen and Morita Yuuhei top the bill, with a very nicely produced contribution from Erkenfresh and Archari and Shimotsukei’s Dagor Dagorath adding some up-and-comers to the tracklist. With Shimotsukei in charge of things the rest of the release is about as eclectic as you’d expect, giving us a taste of everything from funkot to downtempo chillout, via Lab4’s excellent, roll-back-the-years NRG track, Moving To The Beat.
edit: I’ll blame posting rustiness for not mentioning something so important yesterday, but LL has announced that Qygen’s Crystal Cave will be his last freeform track. Talk about another huge loss to the scene, though the signs are that he’ll make a return to music of a different sort in the future.
Not really a release you can afford to miss, I’d say – it’s set for the end of June, but preorders are open already on the Lucky Lotus bandcamp and bigcartel sites.
Long time no speak, isn’t it? I’ve had a lot going on for the past couple of weeks, but all being well posts will be appearing more regularly from this weekend. There’s also a small mountain of music-related projects building up that I should really be putting into some sort of priority order.
The mining for Romancer mixes continues, uncovering a classic, almost decade-old COGI set that I thought had long since disappeared. This is a short (and through the mic again, I’m afraid) recording from NRGetic Romancer’s 4th anniversary, right around the time that COGI was experimenting with various configurations of dark psy and freeform.
He fits a lot into the 35 minutes, starting with Void Of Farthest and ending on Cosmo and OSOM’s Instrumental, via some really interesting transitions. The Epyx & Cyrez remix of Hanuman Visits Lanka was always one of his favourite tracks, while he does very well to shenanigan a mix between Ultimate Protection and Invitation. It’s a superb, if short set that brings back some very fond memories, and I hope the rest of you enjoy listening back as much as I have.
I’m sketchy on the three (?) dark psy tracks in the middle of the set, but here’s what I’ve made of the tracklist so far:
Sorry there’s been a pause in the set uploads – but the next one, from Guld, is actually a nice follow-up to today’s Lab 4 post. This time it’s a mic-recorded Romancer set from 2007, a time when Guld was getting a feel for his own sound while Hase and Betwixt were already at the top of their games.
An excellent, aggressive 70 minutes that shows just what his sets sounded (and often still sound) like, Guld finds time for a fine selection of Lab 4 promos, some old and new tracks of his own, and a couple of unknowns that I really should be able to ID. Any ideas?
01. Hase – Meditation 02. GULD – Nightmare Freak 03. ? 04. Sex Pistols – Anarchy in the UK (Lab 4 remix) 05. ? 06. Lab 4 – Perfect Drug 07. Lab 4 – Falling Down 08. ? 09. Nish – Heart Breaker (Guld’s Hellfire remix) 10. Proteus – I See Things You Don’t See (GULD remix) 11. GULD – Hannya 12. GULD vs Betwixt & Between – Hatral 13. Lab 4 – Transformation [encore] ?
About time some posts started appearing again, starting with a recording of Lab 4’s set from last weekend’s Dark Dimension. By most accounts it was as good an event as you’d expect but I had to miss it, making this upload a welcome chance to catch up.
Overall this is a slightly disappointing set when compared to Lab 4’s previous Japanese appearance (at Ageha a few years ago), as it tries to find a middle ground between their pure NRG of the past and newer tracks that take in semi-hardstyle, fewer filtered leads and even some dubstep breakdowns. On the other hand this selection likely has wider appeal than an hour of ten-year-old NRG, and I’ve only heard good responses to the set so far. A nice selection of the classics also helps of course, my favourite being a lovely edit of Psychopath that introduces the final ‘old school’ section, ending with Candyman.
edit: Thanks to Shimotsukei for the tracklist, via DJ X:
Intro Efini – 00.39 Rave Revolućion – 5.15 Last Night ( Lab4_Unit13 feat Steve Blue Eyes) – 9.19 Requiem – 14.16 London ( Party All Night ) – 19.54 Come With Us ( Genetic Response ) – 24.10 No One’s Gonna Take Us Alive – 28.05 Ex Machina_( Weaponised ) – 30.25 We Live _ Mash Up – 35.06 Psychopath – 39.32 The Uprising – 45.18 Candyman ( Drop Glitch ) – 52.58
The next NRGetic Romancer set is a pretty formative one for the whole event, with Orfeus setting the standard for guest bookings for the rest of the decade. A lot of the FINRG artists were already in full flow by this point, possibly making Orfeus a surprising first choice until you skip through this absolutely on-point hour and a bit of NRG and early golden-era FINRG. The booking says a lot for Guld’s knowledge of the scene even 13 years ago, and Orfeus of course went on to use the deadly combo of Japanese and Finnish tracks in a lot of sets, a good few years before I started doing the same.
This is a live recording via the mixer, giving a nice clean sound minus crowd noise and any nasty volume changes. The tracklist is a tricky one though, as apart from the obvious selections I’m having a really tough time identifying many. I love the first track after the intro, but up until the Kraken – Epilim combination I don’t have much of a clue what’s playing. Would anyone like to give it a go?
Even without the tracklist this is a lovely set in classic Proteus/Guld style – slanted towards NRG, plus melodic FINRG tracks as interludes that are still hard and dark enough to slot in smoothly. This might be my favourite of the Romancer sets I’ve discovered, but there’s more to come.
edit: Thanks to SteTN and Solvynt we’ve already got a pretty respectable tracklist. Feel free to pitch in if you have some ideas for what’s left!
00:00 = PoC & Orfeus – Intro (uses parts from a very early prototype of PoC & Orfeus – The Sanctuary) 1:27 – 8:30 = Proteus – Dark Queen (?) … 14:24 – 19:54 = Reyes – Fuck You / Captain Tinrib – The Kraken (?) 19:54 = Epilim – Rapid Fire … 30:30 – 35:09 = Flatus – Cloaca … 45:25 = Alek Szahala – Chimaera 51:20 = Epilim – Plasma 56:20 = RX – Uprising 1:03:16 = Epilim – Desert Eagle
Here then is the first of what’ll be a few Romancer-related uploads to TYFTH’s YouTube channel – a set from Betwixt & Between that’s probably a new listen for anyone who wasn’t a regular at NRGetic Romancer back in 2008.
This set was mixed for Romancer and handed out as a CD promo, around the time that promotional mixes were becoming a common sight at the event. The mixing is a bit haphazard in places, but production-wise it really shows Betwixt at his best, a period when a lot of his oldies still got play alongside newer tracks like Wide Awake and Surendrajit.
I hope everyone enjoys it and will be looking forward to more – there might eventually be a downloadable home for the sets but they will be collected here for the time being.
edit: Almost forgot to mention, but in the original recording the transition from Genshi Kurage to Zusammengehorigkeit suddenly (and I assume accidentally) cuts off, with silence for a few seconds before a second version of the transition cuts back in and continues the set. It’s not a pleasant listen, so I’ve cleaned up that 20 second section to allow Zusammengehorigkeit to play without interruption. Full disclosure, and all that.
Believe it or not, over the past few months I’ve actually been making more of an effort on the production front, putting in a few hours each week. Not quite the daily grind that I remember Aryx and Substanced both recommending, but I’m determined not to only have the Hell’s Gate remix to my name and it’ll hopefully end up leading somewhere. Seems like I’m not the only one, as the forum has woken up slightly with the first hoover/leads production discussion.
What with freeform being such a niche affair, videos that show the producers at work are an absolute mine of inspiration and guidance – some classics are of course Alek’s Ziggurat, Aryx’s Galaxis and Solar Flare, and Qygen’s Past Blaster. Now we can add Hyphen’s AWAKE remix to the list, doing for FL what the previous guides did for Reason users.
Hyphen’s YouTube channel already has some very nice tutorials and a look into his track Laser Fusion Reactor, but this video goes way deeper with almost 30 minutes of back and forth through the track, including detailed looks at the synths and piano rolls. This will massively benefit anyone, no matter the DAW, and whether you’re looking for a more uplifting sound or not this is surely the best introductory freeform tutorial so far.
The last couple of choices have just been submitted, and so it’s now time to share the Japanese scene’s favourite tracks of the past year. As with the 2015 edition I’ve added links to as many of the tracks as possible, hopefully helping those who want to hunt down the unfamilar choices.
In an effort to keep mine unbiased I’ve ruled out any tracks that appeared on In Praise of Shadows. Although that made things tricky (had the compilation appeared on a different label all of my choices would very likely have come from there) it was good fun to dig through the rest of the year’s releases. The three I’ve gone for are still excellent tracks of course, and would have been challenging for a place in the list either way.
As always, I hope you enjoy the look back – with such a strong year of releases it’d be great to see some Horser choices in the comments, too.