Japanese

This one’s already closing in on 200 SoundCloud ‘likes’ and will probably have been on everyone’s radar for a while, but Substanced’s newest set definitely deserves a respectful shout here too. I expect most will have looked with disbelief at such a new-release heavy tracklist – if this was your only set listen of the year you’d be convinced the 2017 scene is in rude (albeit very trancy/melodic) health, with Substanced’s tracks pushing a promising style of updated FINRG sounds.

Remember me positing that Hyphen’s Dryad Machine remix would be the In Praise of Shadows track with the most cross-scene appeal? Hardly a bold prediction, but it seems to be the case, here used from the break as a really effective post-intro opening track. Substanced’s material is an absolute highlight of the set – they might be tricky to mix with really darker stuff, but my gooodness there’s some great work on the melodies, as well as yet more evidence (see that excellent Gamemaster remix) that he’s the current king of the ‘FINRG filter.’

We all know what a good fit Substanced and Transcend’s tracks are together – melodic, often uplifting and with enough nastiness to get everyone dancing, here they’re mixed in a rock solid style that’s hard not to enjoy. Alchemiist’s remix of Can U See Now might be my favourite of the new tracks though, while I was overjoyed to hear Unconsciousness towards the end – the madness of that classic breakdown is a worthy follow up to Substanced’s Cyclone remix.

The ‘I’ in the mix suggests a follow up, and as welcome as that’d be it seems that this set alone has been enough for a fair few FINRG fans to revisit the scene. With the label taking submissions again we could be on the way up again after the recent quiet spell.

Smiling Corpse’s newest release definitely lives up to the name, with 13 tracks of trancecore styled freeform that should bring back memories (for some) of the early scene, pre even the Nu-Energy/FINRG era. The CD compilation will be released this month but is already up for preorder – and with only 120 copies pressed (and 69 left at the time of writing) it might be worth getting in sooner rather than later.

That Solvynt’s was the first Lucky Lotus set I checked out after the event will come as no surprise to those who’ve been listening to his work over the past few years. This one may well feature one of his strongest tracklists so far, even if the tradeoff turns out to be fewer show-stopping transitions.

Starting with Tigris sets the tone – this set is heavy on NRG but at freeform speeds, leading to some really nice connections I never would have considered. The early combo of Desolated Dreams and Prelude works well, while the long combination of Inquisition and Get Fire! has its moments without quite coming together as hoped. Perkele! into Shine is transition of the set though, one of those moments when the line between DJ and creator blurs slightly . Excellent, excellent stuff, followed by a really effective introduction of Brionac via Full Metal Jacket.

Matter of Fact arrives in slightly uncomfortable style, but The Brain Controls Pain transitions far more smoothly, introducing a final third of melodic classics. Skybreak is a great choice, and I love the use of Celestea’s final filters with Gravity’s Rainbow.

Another quality set then, and the nit-picking over a couple of moments is just that – only because Solvynt continues to be one of the few freeform DJs prepared to experiment with such ambitious track combinations. Inspirational stuff that should be required listening, especially if you’re planning a mix yourself.

Satoshi Honjo will be a name familiar to many, even if only for his Hannya schranz remix back in the day. He’s still very active though, both with Adrenaline and surprise appearances at darker Tokyo events like Dark Dimension. He and the Adrenaline crew look to be starting a video mix series, and while his set is a lot lighter than anything you’d expect at DD the second (nicely mixed) episode featuring K-Hole goes in a harder direction.

I took the chance to upload a few more NRGetic Romancer sets today, including a rare Proteus recording and the original Betwixt set that got me into freeform in the first place. Bringing up the rear is my old set from 2009 – all three confirm once again that Romancer’s atmosphere just couldn’t be beaten, and putting audio quality complaints to one side for now, I love reminiscing while hearing the crowd madness of these mic recordings.

The Proteus set is probably of most interest to many, recorded in 2007 at NRGetic Romancer’s 3rd anniversary. Although I don’t seem to have the other headlining sets from Guld and ADAM Lab 4, this one is a pretty special hour and a quarter that really shows what Proteus was all about at the time. Featuring plenty of the tracks on his then-upcoming The Nature of the Beast, the set also includes some excellent older NRG. I haven’t given a tracklist a try yet, but I’d love to know who’s responsible for the Manson remix around 16.17.

The Romancer playlist is pretty impressive already, but there might well be more to come…

BRK’s keeping himself very busy these days, single-handedly propping up the NRG scene while we wait for some more releases. His latest is Brothers Never Die, a really nice collab with GULD that appeared on Ominous Digital at the end of last month.

The track is definitely BRK’s with GULD influence, but with BRK’s production coming on leaps and bounds by the month that’s no bad thing at all. It happily leans in the harder direction of tracks like Rhythm is a Dancer, while the breakdown really is quality – more emotion than we’re used to hearing from either artist, it surely goes into the ‘very best’ category of BRK’s growing back catalogue.

There’s a lot more to come from him this year, including on TYFTH when time allows.

Apologies to the Lucky Lotus chat crew who have been expecting this for almost a week, but hopefully late is better than never – best we take a look at this one before we work through some other very promising sets from last weekend.

You might remember that we were both originally on the lineup to play individual sets, but what with one thing and another it worked out easiest for us both to go for another collab. Not that I’m complaining – last year was really good fun, while this one was a great way to get over a slight lack of recent freeform inspiration on my part. I have a darker set in the very early works, but last year’s In Praise of Shadows mix worked out so well I’m having trouble matching that for the time being.

Instead I thought a slightly more melodic approach might be interesting this time, including some of the freeform side of IPoS. Shimotsukei had her own ideas of course, and the set somehow worked out very nicely with minimal rejigging of the tracklist. My toughest job was to come up with pre-Fleshfest sequence which led me to settle on Some More. Years of diddling around with the track has still left me with no decent transitions, and so after spending time on all sorts of bizarre combos I gave up and went for a Grimsoul-only opening. We don’t hear his tracks often enough these days (Sentimental Pain aside), plus it was my first time to use any of the three in a set.

Shimotsukei’s sequences are all fantastic, from the standout NRG of Fleshfest Mad Man to the so-mad-it-might-just-work finale of Voodoo to Xochitlan. Each sequence is made all the more impressive by the fact that Shimotsukei was mostly working with my completed sections of the set, once I had cheerily passed them on for her to struggle with.

My own favourite section is Syxautik to Ascend to the Stars, even if it’s the most roughly mixed (with some suspect levels that definitely didn’t seem as bad while mixing). I was trying a dark, deeper atmosphere there, with some more emotional sounds coming in as it progressed – I think it’s pretty successful, and a bit of a preview of the kind of thing I’d like from the next solo set.

It was very nice to see the positive reaction to the set in the LL chat, as well as exchange a few words with Horsers for the first time in far too long. Big thanks of course to LL for the invitation, and especially to Shimotsukei for all the hard work to get the set ready in time. I hope we’ve still got a few more collabs ahead of us, they’re going well so far.

I haven’t given up thoughts of the occasional live set stream (on chew, twitch, or somewhere else) and will keep you all posted, but I do at least have a new mix approaching completion – not the usual thing at all, but hopefully it’ll be the kick needed for a more productive second half of the year.

01. Grimsoul – Escape Forever [Electronica Exposed]
02. Grimsoul – Pahus [Electronica Exposed]
03. Grimsoul – Some More [Electronica Exposed]
04. Carbon Based, DJ Rx & Proteus – Fleshfest [FINRG]
05. Proteus, Ephexis & Ting – Angel of Hell [UHOtrax]
06. FEN Project – Mad Man [FINRG]
07. DJ Rx – Fisheye [FINRG]
08. Morita Yuuhei – The Ghost [Thank You For The Horse]
09. Alek Szahala – Dryad Machine (Hyphen Remix) [Thank You For The Horse]
10. Nightforce & Substanced – Operation Stardust [Electronica Exposed]
11. Pain on Creation – Mortality [FINRG]
12. Twisted Freq – Syxautik [Electronica Exposed]
13. Mellow Sonic – Paradoxon [Cosmicopia Records]
14. Alek Szahala – Ascend to the Stars (Qygen Remix) [ReBuild Music}
15. Anon – Voodoo (Power Mix) [White Label]
16. DJ Eclipse – Ultra World 5 [Bonkers Records]
17. Betwixt & Between – East of Eden (Remaster) [CDR]
18. Alek Száhala – Xochitlán [FINRG]

Pre-Lucky Lotus it was tough to find quality sets of newer freeform, making Hedonistik Rutual’s FutureProof set a very welcome one. It’s a beautifully put together hour or so with a very strong theme, managing to represent a few sides of the scene without things getting disjointed.

The opening is the real standout of the set to my ears – Hedonistik coming up with a lovely live edit of Byrgius that flows perfectly into Hyphen’s NEXUS. This excellent start leads into some more thoughtful melodic tracks (including Sentimental Pain, of course), with Transcend’s remix of Isn’t it all a little strange proving to be a nice bridge into the more UK-centric sounds.

Some might not float my boat, but both the mixing and selection are solid and really well considered – that use of Artifical Reality as another bridge to switch things up again is a nice touch. Finishing with Iron Sky and Hyphen’s Dryad Machine remix nails the energetic melancholy that always works for a finale, taking things back to the Alek-esque atmosphere of the opening.

Kudos to FutureProof for promoting a variety of sounds in their mix series, and to Hedonistik for showing how a skilled DJ can travel the middle ground between the UK and Finland in fine style.

01. Alek Szahala vs Aryx – Byrgius (Ritual Intro Edit)
02. Hyphen – NEXUS
03. Grimsoul – Sentimental Pain
04. Exemia – Aeroduel (Hyphen Remix)
05. Shokk – Isn’t it all a little strange (Transcend Bootleg)
06. Transcend & Hedonistik Ritual – Scorched
07. Aeon – Games with God
08. Ace Ventura – Neurochemistry
09. Transcend & Cyrax – I’ll show you the Darkside
10. Arkitech & Cyrax – Destroyer of Worlds
11. Transcend & Hedonistik Ritual- Mercator de Mortem
12. Substanced – Artifical Reality
13. Kokomochi – Iron Sky
14. Alek Szahala – Dryad Machine (Hyphen Remix)

Only a week to go until this year’s Lucky Lotus, including my first recorded set of the year. Once again it’ll be a back to back with Shimotsukei, but this time with more of a freeform feel than our previous collab.

As always the lineup for the rest of the event is as good as you could hope for, happily with another good showing from the freeform scene. Names that leap out so far include Horzi, Hedonistik Ritual, Orphic, Alabaster, Solvynt, Decion, Byproduct and Alek Szahala, but as the festival runs for the usual three days it’s definitely worth checking the event page for updates and timetable info. Shimotsukei and I are scheduled for Saturday the 24th at 13:35 GMT.