What was already the strongest year for releases in a long time just keeps improving, as Futureproof Sounds’ first compilation has just sneaked in before the end of 2016. A UK label with a taste for the darker side, Futureproof has given strong support to the Japanese scene in FS Vol 1, with tracks from Hyphen and Kokomochi.
I’m not sure I’ve heard the Hyphen track yet, but judging from the collection of preview clips Kokomochi’s Iron Sky leads the way in the rest of the lineup. One of those Hyphen/ikaruga/Falchion-esque tracks that goes heavy on the melodies but anchors things with some nastier sounds, it sounds like a track that could fit into a lot of sets.
The rest of volume one features some interesting melodic tracks without heading too far into darker territory (Transcend and Cyrax’s Forever is a nice example), but the release is definitely one to keep an eye on. It’s available now from the Futureproof site with a very limited run of 100 copies.
Everyone’s familiar with Alias A.K.A., if not for his multi-genre productions of the past few years then definitely as Electronica Exposed’s main man, Shanty. I’ve been following Alias’ releases and mixes for a while and really should have mentioned them here, especially the fabulous Prime Suspect album.
Praise be, then, as the latest Freeform Remixes compilation takes on some of those darker tracks along with all sorts of other fun and games for a compilation of very big names. The majority of the artists lean towards UK freeform, but we also have some high quality deeper sounds on show. Nomic’s Regret remix is the big standout for me so far, but Wyrm and Sutr are a perfect fit to take on Nurgle, originally one of those excellent Prime Suspect dark trance tracks. The remix doesn’t quite hit the dark atmosphere of the original (it is named after the god of disease and decay, after all), but the second half of the clip shows a ton of promise – pacy, twisted and heading in a darker direction.
Following on from the release of Galaxy comes a new uploaded set from Alabaster, and actually (as Shimotsukei pointed out the other day) his first ever downloadable set. This one takes the form of a Live PA, something he has only done a couple of times at CODEX, showing off what a quality back catalogue he has built up over the years.
The set goes back as far as a release on Druggy’s Acid Rack and finishes in 2016 with Galaxy, including a few of my all-time favourites. Acid Maker, Oxyale, Iolite and both Rebuild tracks are all in here, as well as Void, a track I played at my very first Hell’s Gate. There’s a nice flow to the set as it heads towards the newer Rebuild/TYFTH releases, and it covers the full range of those distinctive Alabaster melodies – just staying the right side of ‘too uplifting’ and often heading into properly melancholy territory.
What’s happening here, then? Since the album release I’ve been neglecting my to-do list and instead TYFTH and music-related stuff has been pretty scattergun as I fit it around Real Life. Time to change that, starting with a spruce up of the site itself in preparation for the new forum.
As I’m usually safely tucked away in WordPress’ dashboard it has taken a while for me to realise quite how antiquated and user-unfriendly the site’s theme has become. The design was great, for sure, and that aesthetic tied in perfectly with a lot that went on here, but goodness me there was wasted space everywhere, now-redundant sidebars and cramped space for images and video. While I’m sure there are a million other options I could have gone for, with a few tweaks I think this might do the job very well – it’s intentionally a lot more minimal, has a nice amount of room for images (and even a new header), and also includes some actually-useful features like a ‘recent comment’ box on the right.
My reckoning is the new useability will make up for any pining over the loss of dark twirly design touches, but do let me know what you think. The other factor is the upcoming forum, and this will definitely allow more space for it – unfortunately the pilot version will likely be a desperately basic, vanilla effort, until I work out a few styling tricks. If anyone would like to help out on that front, please get in touch.
No more time this evening, but a few posts to test this layout will be on the way soon, and there could even be some forum action over the weekend…
I’ll do my best to get around to adding a few delayed posts soon, but in the meantime here’s a quick heads up that TYFTH now has a YouTube channel of its own. I’ll be reuploading some old videos from the plasmadancer account (which has ceased to be), along with previews from the album and elsewhere. I’m also adding a few of my favourite sets for those who still do their music listening on YT.
Something else I’ve been meaning to mention for a while is Psychic Formers, a new psy/freeform compilation, featuring the ever-present Hyphen and a lovely comeback track from ikaruga_nex.
Variety looks to be the goal here, and while there are also quality, high bpm tunes from Ata and polysha, the rest of the album takes a gentler stroll through some slow paced, melodic psy. This could be another chance for new listeners to join the scene, then, though the release is currently only announced for this year’s M3 event, taking place in Tokyo on Sunday.
Qygen’s not the only one going in interesting directions with freeform this year – one of the best releases of 2016 so far has now arrived, courtesy of Exemia.
Released earlier this month, Synthform is a pitch-perfect take on synthwave-as-freeform that really does sound like something new. The best frame of reference for us is probably Byproduct, but here with a harder edge that shows Exemia’s experience in the freeform scene. The addition of a mighty impressive Hyphen remix also means that this could be another Blue Revolver-esque gateway into the wider genre for new listeners.
My favourites so far are Defend the Bass and Digital Blizzard, but the whole album is top class and more than warrants a physical release. Instead it’s available on Bandcamp for free, but Exemia’s work deserves a lot more support than that and naming your price is surely the way to go for music of this quality.
Some news aimed at the based-in-Japan crowd here – as part of my efforts to broaden the audience for In Praise of Shadows I’m very pleased to say that the album has been on sale at Shibuya’s Guhroovy for a couple of days now.
TYFTH’s online store handling payments via PayPal is a bit of a problem in Japan, as it still doesn’t have much of a presence here. This has meant that the Japan crew have been at a disadvantage up to now and I’ve been hoping to give them some other options – it explains the very healthy sales on the first day at CODEX, but now anyone who missed that has this avenue.
It’s also a biggie for another reason, as having the label’s first release on the shelves of a music store is a pretty decent milestone – the fact that it’s Guhroovy makes it even better, as it comes almost exactly 10 years after I placed an order there (from the UK) for Khaotic Dimension. How far we’ve come, eh?
On that note, if you’re outside Japan then for goodness’ sake don’t order though Guhroovy, as the stock is fairly limited and getting the album from the TYFTH store is far cheaper thanks to the (in hindsight perhaps too generous) free postage worldwide.
What should be of interest to all Horsers is the soundtrack, composed by Qygen and featuring remixes from the likes of Hyphen, Exemia and Blue Phoenix. In Praise of Shadows aside, Qygen’s work here is far and away the best freeform I’ve heard this year, and it’s really exciting to consider how many people could be exposed to his sound if this release does as well as it deserves to.
The top of this post is a recent episode of STG Weekly, featuring Blue Revolver and its developers. Although my shmupping has lapsed a bit over the past year, I’ve been back at Guwange and Crimson Clover recently and can’t wait to give BR a proper go.
I mentioned this here and there last week, but I’d like to give Gabriel Wigren’s work another hat tip on TYFTH itself. He’s of course the artist behind In Praise of Shadows’ cover art, which should be reason enough for you to check out the rest of his portfolio posthaste.
The end result speaks for itself, but regardless lets do some speaking – the whole process was never less than incredibly professional, and with only my concept for the album and a few representative tracks (this was back in 2014, so before any of the In Praise of Shadows tracks were ready) Gabriel did an unbelievable job of visualising it all.
Whether you’re in the market for a commission yourself or just want to enjoy some dark, beautiful atmospheres, Gabriel’s devianart is very special indeed, and couldn’t come more highly recommended.