Only a week to go until this year’s Lucky Lotus, including my first recorded set of the year. Once again it’ll be a back to back with Shimotsukei, but this time with more of a freeform feel than our previous collab.
As always the lineup for the rest of the event is as good as you could hope for, happily with another good showing from the freeform scene. Names that leap out so far include Horzi, Hedonistik Ritual, Orphic, Alabaster, Solvynt, Decion, Byproduct and Alek Szahala, but as the festival runs for the usual three days it’s definitely worth checking the event page for updates and timetable info. Shimotsukei and I are scheduled for Saturday the 24th at 13:35 GMT.
The mining for Romancer mixes continues, uncovering a classic, almost decade-old COGI set that I thought had long since disappeared. This is a short (and through the mic again, I’m afraid) recording from NRGetic Romancer’s 4th anniversary, right around the time that COGI was experimenting with various configurations of dark psy and freeform.
He fits a lot into the 35 minutes, starting with Void Of Farthest and ending on Cosmo and OSOM’s Instrumental, via some really interesting transitions. The Epyx & Cyrez remix of Hanuman Visits Lanka was always one of his favourite tracks, while he does very well to shenanigan a mix between Ultimate Protection and Invitation. It’s a superb, if short set that brings back some very fond memories, and I hope the rest of you enjoy listening back as much as I have.
I’m sketchy on the three (?) dark psy tracks in the middle of the set, but here’s what I’ve made of the tracklist so far:
Sorry there’s been a pause in the set uploads – but the next one, from Guld, is actually a nice follow-up to today’s Lab 4 post. This time it’s a mic-recorded Romancer set from 2007, a time when Guld was getting a feel for his own sound while Hase and Betwixt were already at the top of their games.
An excellent, aggressive 70 minutes that shows just what his sets sounded (and often still sound) like, Guld finds time for a fine selection of Lab 4 promos, some old and new tracks of his own, and a couple of unknowns that I really should be able to ID. Any ideas?
01. Hase – Meditation 02. GULD – Nightmare Freak 03. ? 04. Sex Pistols – Anarchy in the UK (Lab 4 remix) 05. ? 06. Lab 4 – Perfect Drug 07. Lab 4 – Falling Down 08. ? 09. Nish – Heart Breaker (Guld’s Hellfire remix) 10. Proteus – I See Things You Don’t See (GULD remix) 11. GULD – Hannya 12. GULD vs Betwixt & Between – Hatral 13. Lab 4 – Transformation [encore] ?
About time some posts started appearing again, starting with a recording of Lab 4’s set from last weekend’s Dark Dimension. By most accounts it was as good an event as you’d expect but I had to miss it, making this upload a welcome chance to catch up.
Overall this is a slightly disappointing set when compared to Lab 4’s previous Japanese appearance (at Ageha a few years ago), as it tries to find a middle ground between their pure NRG of the past and newer tracks that take in semi-hardstyle, fewer filtered leads and even some dubstep breakdowns. On the other hand this selection likely has wider appeal than an hour of ten-year-old NRG, and I’ve only heard good responses to the set so far. A nice selection of the classics also helps of course, my favourite being a lovely edit of Psychopath that introduces the final ‘old school’ section, ending with Candyman.
edit: Thanks to Shimotsukei for the tracklist, via DJ X:
Intro Efini – 00.39 Rave Revolućion – 5.15 Last Night ( Lab4_Unit13 feat Steve Blue Eyes) – 9.19 Requiem – 14.16 London ( Party All Night ) – 19.54 Come With Us ( Genetic Response ) – 24.10 No One’s Gonna Take Us Alive – 28.05 Ex Machina_( Weaponised ) – 30.25 We Live _ Mash Up – 35.06 Psychopath – 39.32 The Uprising – 45.18 Candyman ( Drop Glitch ) – 52.58
The next NRGetic Romancer set is a pretty formative one for the whole event, with Orfeus setting the standard for guest bookings for the rest of the decade. A lot of the FINRG artists were already in full flow by this point, possibly making Orfeus a surprising first choice until you skip through this absolutely on-point hour and a bit of NRG and early golden-era FINRG. The booking says a lot for Guld’s knowledge of the scene even 13 years ago, and Orfeus of course went on to use the deadly combo of Japanese and Finnish tracks in a lot of sets, a good few years before I started doing the same.
This is a live recording via the mixer, giving a nice clean sound minus crowd noise and any nasty volume changes. The tracklist is a tricky one though, as apart from the obvious selections I’m having a really tough time identifying many. I love the first track after the intro, but up until the Kraken – Epilim combination I don’t have much of a clue what’s playing. Would anyone like to give it a go?
Even without the tracklist this is a lovely set in classic Proteus/Guld style – slanted towards NRG, plus melodic FINRG tracks as interludes that are still hard and dark enough to slot in smoothly. This might be my favourite of the Romancer sets I’ve discovered, but there’s more to come.
edit: Thanks to SteTN and Solvynt we’ve already got a pretty respectable tracklist. Feel free to pitch in if you have some ideas for what’s left!
00:00 = PoC & Orfeus – Intro (uses parts from a very early prototype of PoC & Orfeus – The Sanctuary) 1:27 – 8:30 = Proteus – Dark Queen (?) … 14:24 – 19:54 = Reyes – Fuck You / Captain Tinrib – The Kraken (?) 19:54 = Epilim – Rapid Fire … 30:30 – 35:09 = Flatus – Cloaca … 45:25 = Alek Szahala – Chimaera 51:20 = Epilim – Plasma 56:20 = RX – Uprising 1:03:16 = Epilim – Desert Eagle
Here then is the first of what’ll be a few Romancer-related uploads to TYFTH’s YouTube channel – a set from Betwixt & Between that’s probably a new listen for anyone who wasn’t a regular at NRGetic Romancer back in 2008.
This set was mixed for Romancer and handed out as a CD promo, around the time that promotional mixes were becoming a common sight at the event. The mixing is a bit haphazard in places, but production-wise it really shows Betwixt at his best, a period when a lot of his oldies still got play alongside newer tracks like Wide Awake and Surendrajit.
I hope everyone enjoys it and will be looking forward to more – there might eventually be a downloadable home for the sets but they will be collected here for the time being.
edit: Almost forgot to mention, but in the original recording the transition from Genshi Kurage to Zusammengehorigkeit suddenly (and I assume accidentally) cuts off, with silence for a few seconds before a second version of the transition cuts back in and continues the set. It’s not a pleasant listen, so I’ve cleaned up that 20 second section to allow Zusammengehorigkeit to play without interruption. Full disclosure, and all that.
I’m sure we’ve mentioned the Smiling Corpse Slack group before? If you were previously signed up to the now-departed Freeform Forum then you likely received a recent, gentle reminder that the Slack is the new place for freeform folk to gather. There’s definitely potential there and discussion seemed very lively when I first signed up, even if the time difference between Japan and Europe/the US makes it trickier for me to really take part. I’ll definitely be popping back now and then, and hopefully this link (thanks Sherkel!) will lead non-members to a sign-up page – with freeform awash in releases for an apparently shrinking audience, anything that solidifies the community a bit more is very welcome indeed.
Thought I’d make the most of this quiet spell for new sets by posting up another favourite from the Golden Age. This time it’s the very beginning – Alek Száhala playing at Säde, almost 14 years ago. That a good few of the tracks would still be in my all-time top ten says it a lot for Alek’s production, but this set is extra special for the live edits and interesting transitions that we don’t see much of from Live PA artists these days. Imagine hearing Invitation suddenly leaping into this set, back in 2003, or the atmosphere during the Afternoon Owl – Man Eaten mix.
Time for the traditional ‘look back at a CODEX from months ago’ post – as the only Japanese freeform event of 2016, CODEX7 definitely deserves a proper recap. With guest cancellations and a last-minute change of lineup there was potential for calamity, but Raqhow and the rest of the crew managed to put on one of the best events of recent years. There was also the small matter of In Praise of Shadows’ release, and it was on sale at the event alongside the CODEX EP, Alias A.K.A.’s Freeform Remixes, and the new Tesla Tracks compilation.